Platform | Substack | Pricing | Freemium | Publishes | Weekly |
---|---|---|---|---|---|
Issues | 44 | Subscribers | Read | brycemcclendon.substack.com |
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Fall 2024 brings many new changes for me. The leaves fall off the trees, and my old outer layer of working at my little desk job falls off of me. After what seems like an eternity of building and keeping up my private studio, I am proudly m...
In this episode, Bryce speaks with mezzo-soprano and performance artist Heather Jones (they/them). The two discuss how Heather has embraced theater-making as a way to explore and deepen their identity, Heather’s recent experiences playing a...
In this episode, Bryce speaks with opera singer and interdisciplinary theater creator, Teiya Kasahara 笠原貞野 (they/them). The two discuss Teiya’s work as an interdisciplinary theater creator, in particular their projects The Queen in Me and T...
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The writers behind this newsletter.
Writer, voice teacher, & performer. Playwright of "The Smallest Sound, in the Smallest Space" (the cell theatre, 2023; Lincoln Center, 2024). Host of the trans-focused opera & classical voice professionals interview series, "Beyond Travesti."
Singer/writer/speaker showing up authentically on stage, in the rehearsal room & as a creative \ud83c\udff3️\ud83c\udf08\ud83c\udff3️⚧️ “When we are accountable, we eschew the role of victim & are able to claim the space of our individual & collective agency” -bell hooks
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