
Sometimes stories, sometimes drawing, sometimes life or death interventions about leggings or cabbage soup, from the south bank of the Tejo.
| Platform | Pricing | Freemium | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 118 | Founded | 2 years ago | Last Issue | 4 days ago |
| Active | |||||

One day earlier this year, one of my daughters said “but, mum, your personality is complaining.”
I raised myself up to refute this outrageous claim, but by the time I had taken a breath, I found that I could only agree, and slumped back do...
Good morning from the beach, an hour or so of fresh air before the late August Saturday hordes arrive, long enough for a swim, a read and a quick post written on my phone.
I have been a bit distracted for the last couple of weeks (hence th...
One day in the very near future, neither you nor I will have a job, the robots will be doing everything instead of us, but it’s ok. I, for one, will be making a living scavenging bottles and cans from the recycling, and sticking them in a v...
work in progress of the very silly primer/reel I’m making, see below. NB it all MOVES.
Sometimes, I imagine how nice it would be to have a “proper” job, the kind with a contract and a salary and a whopping great pension at the end, but th...
I went to bed very early last night, since I’d been up since 6am, driven 250km to deepest, hottest Portugal and back, and so woke up stupidly early for a Saturday.
Yesterday, in the car, I told Luís that I’m going to walk for at least an h...
Subscribers, engagement, traffic and sponsorship for Lucy Pepper is Pretending.
| Subscribers | Engagement | 78 | Monthly Web Visits | ||
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| Accepts Sponsors | Estimated Cost per Ad | ||||
The writers behind this newsletter.
Illustrator, motion graphics designer and writer just off the Tejo, Portugal. 'O Livro das Receitas Nojentas', 'Como Não Morrer de Fome em Portugal' & 'Eat Portugal' are all books by me and, one day, I may finish my film.
I write about language, belonging, and what happens when you uproot a life. Living in Portugal since 1988, I explore how identity, power, and survival are shaped through language, in a Portugal that no longer exists.
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