
For people who love the arts.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 122 | Founded | 5 years ago | Last Issue | 3 years ago |
| Active | |||||

Grand Canal, Venice (1881). Pierre-Auguste Renoir. Museum of Fine Arts Boston 19.173.
I’ve always loved Renoir. When I was given a pack of pastels at age nine, my first act was to recreate Two Young Girls at the Piano. This knockoff...
Above: In 2010 the Whitney Museum of American Art exhibited the first American retrospective of Paul Thek’s work. Source: Whitney Museum of American Art.
My friend Zoe died in the first wave of the pandemic, one of 20,000 New Yorker...
John Baldessari in Venice (2009). Photo: Frédéric de Goldschmidt.
Exodus • The artist John Baldessari, who died in 2020, was born in 1933, in National City, California, an industrial, working-class suburb that borders the south San...
Eavean Boland at the 2007 Dublin Writers Festival. Photo: Ian Oliver. Source: Wikimedia Commons.
I discovered the poem “Night Feed” by the Irish poet Eavan Boland too late. I had already weaned my youngest child and endured those ho...
The Race Track (Death on a Pale Horse), c. 1896–1908. Albert Pinkham Ryder (American, 1847–1917). Oil on canvas; framed: 84.5 x 102 x 6.5 cm (33 1/4 x 40 3/16 x 2 9/16 in.); unframed: 70.5 x 90 cm (27 3/4 x 35 7/16 in.). The Cleveland Museu...
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The writers behind this newsletter.
Formerly Critical Read, a not-for-profit publishing company dedicated to making American art and art history more inclusive and discoverable.
Student. Appalachian. Editorial Assistant.
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