The craft of seeing and the business of photography. By professional photographer, Getty Images contributor, workshop leader. Every week: the craft of seeing, the business of photography, and what it actually takes to build a career with a camera.
| Platform |  | Pricing | Freemium | Publishes | Daily |
|---|---|---|---|---|---|
| Issues | 369 | Founded | 3 years ago | Last Issue | 3 days ago |
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marcosecchi.substack.comLatest Issues
Is Alamy Still Worth It? An Honest Guide for Photographers
What it can do for your work, what it cannot, and how to begin without wasting time.
What it can do for your work, what it cannot, and how to begin without wasting time.
Diffraction, When More Depth of Field Gives You Less Detail
Why closing your aperture can make photographs softer, and how to find the right balance between depth of field and fine detail.
There is a moment in photography when doing more of something that seems right begins to make things worse.
Why We Keep Photographs That Don’t Quite Work
Learning to recognise the difference between what a photograph means to you and what it communicates to someone else
A particular kind of photograph survives every edit.
Which Metering Mode Should You Actually Use?
What your camera measures, what it overlooks, and when to stop changing modes
This is the seventh lesson in my eight-week series of shorter technical articles. Last Monday, we looked at zone focusing and choosing what needs to be sharp. Th...
Venice Carnival: Beyond the Mask
How to photograph one of Venice’s most familiar spectacles without letting the costume do all the work. The next stop in my monthly On Location series.
Venice Carnival can deceive photographers.
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Authors
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Getty Images photojournalist, educator, and unapologetic Leica obsessive. I help photographers make stronger pictures with better decisions, not more gear. Street photography, black and white, and visual storytelling from Venice, Istria and Budapest.
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