The craft of seeing and the business of photography. By professional photographer, Getty Images contributor, workshop leader. Every week: the craft of seeing, the business of photography, and what it actually takes to build a career with a camera.
| Platform |  | Pricing | Freemium | Publishes | Daily |
|---|---|---|---|---|---|
| Issues | 375 | Founded | 3 years ago | Last Issue | 38 hours ago |
| Active | |||||
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marcosecchi.substack.comLatest Issues
Why I Photograph in Black and White, and What I Look For
Black & White, From Vision to Final Image | Part 1 of 3
Black and white is not a rescue operation for a photograph that failed in colour.
The Photographs You Walk Past
An ordinary route can still give you something worth photographing.
On a Monday morning, it is easy to imagine that the photographs worth making are somewhere else. In another city, in better weather, or at the end of a journey we have not...
Your Photographs Are Beautiful. Why Do They Feel Empty?
Good light and careful composition can make a photograph attractive. To keep someone looking, you need another decision.
Imagine a photograph of a quiet Venetian canal. Warm light on the wall, a reflection in the water, a small bridge hold...
How to Practise Photography When You Have Nothing to Photograph
You have walked the same streets, photographed the same buildings and started to feel that you need to go somewhere else before you can make another worthwhile picture.
Sometimes a change of place helps. But familiarity can also make you d...
Your Best Photograph Might Be the One You Nearly Deleted
How to recognise a quiet photograph, question your favourites, and edit with a little more honesty.
You open a folder after a day of photographing and go straight to the picture you were excited about. You remember making it. The light had...
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Authors
The writers behind this newsletter.
Getty Images photojournalist, educator, and unapologetic Leica obsessive. I help photographers make stronger pictures with better decisions, not more gear. Street photography, black and white, and visual storytelling from Venice, Istria and Budapest.
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