
I am reading and reflecting on ten years' worth of the greatest literature from around the world, one book at a time, one week at a time, but in no particular order.
| Platform | Pricing | Freemium | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 175 | Founded | 3 years ago | Last Issue | 5 days ago |
| Active | |||||

Elizabeth Holmes being herself
My wife and I went with some long-time friends to You Can See Everything in a small theater we had never been to. It only had about fifty seats—big comfortable seats with plenty of leg room, arranged in clust...
Part Two: “The Making of the Symbol,” chapters 12 “The Magic Circle” and 13 “Poesis,” pp. 188–235.
I thought this was a great image that bridged the two chapters of dance and poetry. Carmina Burana is a scenic cantata that combines medieva...
“Now,” said Henchard between gasps, “Your life is in my hands.” by Robert Barnes.
The surprises in The Mayor of Casterbridge pop up as regularly as the chiming of a cuckoo clock, and they are almost as annoying. Hardy’s excuse is surely th...
Part Two: “The Making of the Symbol,” chapters 10 “The Principle of Assimilation” and 11 “Virtual Powers,” pp. 149–187.
We are halfway through the book and coming to the end of Langer’s examination of the non-literary arts. The two chapter...
Part Two: “The Making of the Symbol,” chapters 8 “The Musical Matrix” and 9 “The Living Work,” pp. 120–148.
I marvel at how each chapter contains at least one startling idea. Langer’s abstract phrasing sometimes lulls me into a trance, and...
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The writers behind this newsletter.
Professor emeritus of philosophy. Now I mostly read great works of literature and share some reflections about them. I've started hosting slow-reading groups for major works of philosophy. Always looking for thoughtful discussions.
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