The Rogue Art Historian
Rogue Art Historian365 days of art is my promise....daily art history and a weekly 12-hour Art Chat, both powered by your requests....because the one lesson my mentor drilled into me is that art education must belong to everyone, not just an elite few.
| Platform |  | Pricing | Only free issues | Publishes | Daily |
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| Issues | 1069 | Founded | 2 years ago | Last Issue | 2 days ago |
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roguearthistorian.substack.comLatest Issues
When Art Became Impossible to Control
Renaissance visual culture is often described through singular objects bound to particular places. Altarpieces occupied chapels, frescoes covered palace walls, sculptures stood in churches and civic squares, and buildings remained inseparab...
The Poor Had to Perform Their Pain
Poverty was among the most visible and contested conditions of life in early modern Europe. It arose from low wages, unstable employment, warfare, epidemic illness, food shortages, migration, occupational injury, widowhood, old age, and the...
When Paint Became Flesh
The transformation of European painting during the fifteenth century cannot be explained by a single invention, artist, or region. It emerged through the interaction of artistic practice, courtly patronage, religious devotion, urban prosper...
The Monster Was Never the One in the Picture
The history of the body in Western art has often been organized around an ideal. That ideal has usually been imagined as youthful, symmetrical, proportionate, healthy, self contained, and visibly governed by reason. From the athletic figure...
Venice Made Color Dangerous.
The distinction between Venetian color and Florentine drawing remains one of the most familiar ideas in Renaissance art history. It is also one of the most easily simplified. The claim that Florence drew while Venice colored can imply that...
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Authors
The writers behind this newsletter.
Art Historian and Artist. MFA: Art History; MFA: Studio Art; PhD: Art History. Unapologetically Indigenous.
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