The Rogue Art Historian
Rogue Art Historian365 days of art is my promise....daily art history, a weekly 12-hour Art Chat, and a monthly Art Critique powered by your requests....because the one lesson my mentor drilled into me is that art education must belong to everyone, not just an elite few.
| Platform |  | Pricing | Only free issues | Publishes | Daily |
|---|---|---|---|---|---|
| Issues | 851 | Subscribers | Read | roguearthistorian.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
Before He Speaks, He Is Suspect
The visual history of the Arab American male body in the United States changed sharply after September 11, 2001. In the years that followed, Arab and Muslim men were cast with new force as objects of fear, suspicion, and national anxiety. A...
A Mask on a Wall Is a Dead Thing
The arts of Africa and Oceania have often been approached through habits shaped by museums, photographs, and the traditions of analysis. Those habits privilege what can be isolated and held still, carved wood, painted surfaces, shell orname...
Too Visible Too Misread
Women artists working in Arab American and closely related Arab diasporic contexts have had to confront a peculiar condition of visibility. They have not been absent from modern visual culture. Instead, they have appeared too often through ...
Before Paper There Was Skin.
In the arts of Africa and Oceania, the body is not merely a support for ornament. It is one of the principal places where identity becomes visible and meaningful. Tattooing, scarification, pigment, coiffure, shell, beadwork, fiber, metal, a...
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Authors
The writers behind this newsletter.
Art Historian and Artist. MFA: Art History; MFA: Studio Art; PhD: Art History. Unapologetically Indigenous.
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