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|---|---|---|---|---|---|
| Issues | 575 | Subscribers | Read | roguearthistorian.substack.com |
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Where light thins and edges sharpen, images learn to keep vigil. Across churches without roofs, streets washed in gaslight, and parlors arranged like chambers of waiting, artists built theatres for grief and dread that were as practical as ...
Washington Irving’s “The Legend of Sleepy Hollow” (1819–20) offered American artists a ready-made repertory of images (moonlit lanes, gnarled trees, a teetering schoolmaster, and a headless rider) that could translate post-Revolutionary anx...
Among modern divination decks, Under the Roses Lenormand (U.S. Games Systems, 2014) stands out for compressing meaning into modest images; thirty-six small cards that speak in pairs and triplets, not in sermons. Its visual voice (sepia, col...
The first sustained visual program attached to Frankenstein appeared not on a screen but in steel and stone; Theodor von Holst’s plates for the 1831 Standard Novels edition and the explosion of theatrical lithographs and engravings that fol...
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The writers behind this newsletter.
Art Historian and Artist. MFA: Art History; MFA: Studio Art; PhD: Art History. Unapologetically Indigenous.
Rev. Payshence is an internationally known Hoodoo Spiritualist/Psychic Medium. Her expertise encompasses Natural Health Coaching, Psychic Mediumship/Spiritualism, and the paranormal, with over 30 years of experience as a Psychic Medium.
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