
A taste of global media, technology and visual storytelling.
| Platform | Pricing | Freemium | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 100 | Founded | 2 years ago | Last Issue | 5 days ago |
| Active | |||||

This is the second year I get to share with you insights from the jurying process and my impressions of
Critical Mass, organized by Photolucida, attracts much attention in photography’s annual calendar. Each photographer submits a portfol...
Celebrated photographer and filmmaker Ed Kashi and I connected earlier in 2026 around Timeline, a mentorship project by LACP, which invites documentary photographers to join dedicated cohorts and capture long form projects about their citie...
You may have come across reports about Flock cameras in recent weeks: the automated AI-powered license plate reader (ALPR) system that automatically photographs passing cars and uploads the data to a growing database of movement, used by lo...
The physical act of cutting and pasting has expressed changing perspectives—from revolutionary avant-garde ideas in the 20th century to maximalist Gen Z energy today
Collage techniques in the age of AI have become a way to reclaim the touc...
Mierle Laderman Ukeles and Hings Lim position labor and manual work at the heart of the art world. Happy Labor Day
Hings Lim collaborated with domestic workers for a piece that juxtaposed the act of cleaning with the process of artmaking....
Subscribers, engagement, traffic and sponsorship for Bytesize .
| Subscribers | Engagement | 68 | Monthly Web Visits | ||
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The writers behind this newsletter.
I am a curator, writer and photo-historian based in Los Angeles, where I serve as the Executive Director and Chief Curator of the Los Angeles Center of Photography (LACP), write, teach at USC and drink too much coffee
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