
From a Sunday Times and New York Times bestselling novelist. Editorial thinking on writing, creativity, and the misdiagnoses that keep good work stuck.
| Platform | Pricing | Freemium | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 382 | Founded | 6 years ago | Last Issue | a month ago |
| Active | |||||

What agents are actually reading for in those first fifty pages
A few years ago a friend sent me their manuscript. I’d agreed to read it partly out of friendship and partly — if I’m honest — out of curiosity, because this person could writ...
What your synopsis is telling agents without you realising it
I used to think — and I’m embarrassed to admit how long this lasted — that good writing sounded like good writing. That there was a register, a particular quality of sentence, t...
It's failing for a different reason entirely.
Here’s something I’ve noticed after reading many, many synopses from writers who can genuinely write.
A practical guide to identifying whether your idea is a short story, novella, novel, or epic — and what to do if you've already committed to the wrong one.
The most common piece of advice given to writers with stalled novels is to push thr...
What saggy middles, flat tension, and arbitrary endings actually have in common — and where the problem really lives.
Last week I gave you a framework for scoring your premise across five dimensions — Escalation Range, Antagonist Leverage,...
Subscribers, engagement, traffic and sponsorship for S J Watson.
| Subscribers | Engagement | 71 | Monthly Web Visits | ||
|---|---|---|---|---|---|
| Accepts Sponsors | Estimated Cost per Ad | ||||
The writers behind this newsletter.
A multi-passionate individual and bestselling author interested in creativity, art, music and trying to make sense of the world. Books include BEFORE I GO TO SLEEP (which was turned into a film with Nicole Kidman), SECOND LIFE and FINAL CUT. \ud83c\udff3️\ud83c\udf08
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