
Art history lessons for the trauma-informed feminist.
| Platform | Pricing | Freemium | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 39 | Founded | 3 years ago | Last Issue | a month ago |
| Active | |||||

Being an artist is a very solitary pursuit…until you put your work out there, and then it’s the opposite. That’s the phase I’m in now: I’m one week out from the paperback tour of The Motherload, and I hope to see as many of you as possible!...
Last weekend I saw the play Liberation by Bess Wohl. I am a very harsh critic when it comes to plays because—call me culturally illiterate—we have reality TV, and you don’t have to leave your house to see it. Most plays that I have seen, an...
As a young kid growing up in Indiana, a trip to the big city meant a four hour drive to Chicago, where my parents would take me on bi-annual pilgrimages to do things like buy my dress for the 8th grade dance, or pick up Hello Kitty stationa...
I was five the first time I visited my Aunt Susie in Los Angeles, and she was the perfect beauty to introduce me to Hollywood, because she looked like a movie star. She’d escaped our birthplace, Indiana, thirty five years before, and had ma...
In January I wrote the below post for my friend Jenny Mollen’s Substack, and I realized I never published it here, to my own crew (hi crew!). As I come upon some of the final events of this leg of The Motherload’s US tour—which, funny enoug...
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The writers behind this newsletter.
Trying to be the least boring art historian you’ve ever met. The Motherload, a national best seller, available everywhere you buy books!
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