At Mabuse's
SebastianVarious notes on film, mainly Italian and Hollywood
| Platform |  | Pricing | Only free issues | Publishes | Infrequently |
|---|---|---|---|---|---|
| Issues | 13 | Founded | 2 years ago | Last Issue | 10 days ago |
| Active | |||||
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Turksib: The Soviet Western
The “kulturfilm” was a creation of the mid 1920s; equal part intellectual documentary and didactic pamphlet, it played against the conventional comedies and melodramas that were beginning to abound in the Soviet Union. As a result, they ten...
Abounding coincidences
Going through a director’s filmography chronologically bestows upon one the power, the responsibility even, of connection. This is a fact of auteurism in the traditional sense, where formal predilections and other precious details create th...
Cotten and Dieterle: Four Melodramas
Cotten, Dieterle and Fontaine on the set of September Affair
Neither Joseph Cotten nor William Dieterle will likely be among the first wave of names one associates with Hollywood. Cotten, of course, has a stronger appeal, and quite an inte...
The melodramas of Vittorio Cottafavi
The final minutes of Vittorio Cottafavi’s 1949 drama The Flame That Never Dies play during the midst of World War II; an Italian Carabinieri prepares to sacrifice himself in order to save a group of hostages from his home town, first visiti...
Trümmerfilm: Germany's Neorealism?
With the capitulation of the Axis and subsequent end of the war, German cinema came to a complete standstill. What was once one of the big propaganda machines of the 20th century, rightfully referred to as Hitler’s Hollywood by critic Rüdig...
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Writer, Walker.
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