Seeda School
Ayana Zaire CottonLeveraging worldbuilding to imagine collective divestment towards collective liberation.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 93 | Subscribers | Read | seedaschool.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
Just Because You Can Doesn’t Mean You Should
R.S.V.P. sculptures activated by Senga Nengudi and Maren Hassinger in “Performance Piece—Nylon Mesh and Maren Hassinger,” (1977) (Photo by Harmon Outlaw, Pearl C. Wood Gallery, Los Angeles. Courtesy RedLine Gallery.)(Source: Hyperallergic...
Why Worldbuilding?: Permission to Actualize Audacious Desire
Wangechi Mutu, In Two Canoe, 2022. Bronze, 180 × 68 × 72 in (457.2 × 172.7 × 182.9 cm). Courtesy the artist and Gladstone Gallery. © Wangechi Mutu Image Description: Two captive maternals sitting in a canoe, dripping in bronze with veined l...
How to Breathe Fire, Watching Discipline Melt into Devotion
A screenshot from HBO's Lovecraft Country created by Misha Green. In this still from "Rewind 1921" (S1:EP9), at the 42:40 timestamp, Hattie grabs Leti’s hand to pray as she holds the Book of Names and the house around them burns. During thi...
Reclaiming The Power of Our Belief, Faith, and Trust
Betye Saar, Black Girl's Window (1969) Image Description: Flat against a blue background and a set of sheer curtains, a black figure presses up against a transparent surface. Facial features disappear into the black silhouette, with the exc...
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Authors
The writers behind this newsletter.
Ayana Zaire Cotton (she/they) is a queer, Black feminist, anti-disciplinary artist and cultural worker speculating from inside the web of Black feminist being, computer science, and forest ecology.
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