Seeda School
Ayana Zaire CottonLeveraging worldbuilding to imagine collective divestment towards collective liberation.
| Platform |  | Pricing | Freemium | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 148 | Subscribers | Read | seedaschool.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
Cultivating Self-Trust As the Only Way
Julie Mehretu, Untitled (2004) from the series “Landscape Allegories”
Who Is Perfectionism For? Channeling Audacious Visions Into 3 Phases of Creative Business Development
Troy Montes-Michie, “From El Paso to Harlem: Troy Montes-Michie explores the subversive history of the zoot suit” published by Document Journal. Photography by Fujio Emura. “I think that’s what’s nice about the suit, because it was seen as ...
My Chiron Is In Leo
Sam Gilliam, Swing, 1969, acrylic and aluminum on canvas, Smithsonian American Art Museum. Can you spot the landscape of possibility? Our values give our play structure. Some call this work transformative justice, some call it black abstrac...
Becoming Your First Client: The Grief Work of Composting Past Selves and Desires
Dinah Young, Roadside grave. Photo: William Arnett, 1997
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Authors
The writers behind this newsletter.
Ayana Zaire Cotton (she/they) is a queer, Black feminist, anti-disciplinary artist and cultural worker speculating from inside the web of Black feminist being, computer science, and forest ecology.
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