Seeda School
Ayana Zaire CottonLeveraging worldbuilding to imagine collective divestment towards collective liberation.
| Platform |  | Pricing | Freemium | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 137 | Subscribers | Read | seedaschool.substack.com |
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Enrollment Into Seeda School Closes Today!
## Dear Worldbuilder,
Don’t Focus on Making the Offer Accessible to Everyone Else it Becomes Inaccessible to You
Kerry James Marshall (b. 1955), Keeping the Culture (2010). Medium: Oil on Board Dimensions: 76.2 x 121.9 cm. (30 x 48 in.) Image Description: A couple, painted black, hold eachother in their apartment in the cosmos while two children look ...
What’s The Difference Between a Craving and a Desire?
> “No matter how I held myself, what contortions I forced my body into. The glow was irrepressible.”1 I read this dream as an allegory for an intense feminine and feminist desire that resists concealment, bursts beyond interiority, and perm...
Design Your Creative Ecosystem: The 3 Nodes of Practice and Your Erotic Center
Julie Mehretu, Stadia II, 2004, ink and acrylic on canvas, 108 x 144 inches (Carnegie Museum of Art, Pittsburgh) © Julie Mehretu
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Authors
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Ayana Zaire Cotton (she/they) is a queer, Black feminist, anti-disciplinary artist and cultural worker speculating from inside the web of Black feminist being, computer science, and forest ecology.
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