
Searching for the sacred on screen.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 108 | Founded | 3 years ago | Last Issue | 7 days ago |
| Active | |||||

Hugh Jackman as Robin Hood. Image courtesy of A24.
When I think of Robin Hood, I think of the color green, the pomp and pageantry of archery competitions, and joyful defiance in opposition to oppression. I think of Disney’s anthropomorphic...
Emily Blunt and Josh O’Connor in Disclosure Day. Image courtesy of Universal Pictures.
What if we’re not alone?
It’s the question that expresses the human race’s greatest hopes and deepest fears. The answer, either way, is frightening. Ma...
Renate Reinsve in Backrooms. Image courtesy of A24.
Franz Kafka wrote that books must be “an axe for the frozen sea inside us,” that fiction is meant to express what we’d rather not acknowledge, what frightens and devastates us. Kane Parso...
Grogu meditating. Image courtesy of Disney.
The Star Wars movies have always had a bit of a scale problem. The stakes (and planet-destroying weapons) keep getting bigger with every sequel, and yet the galaxy is so small, with every importa...
Kara Young and Mallori Johnson in Is God Is. Image courtesy of Amazon Studios.
Racine (Kara Young) and Anaia (Mallori Johnson) are twin sisters so tight that they can sometimes hear each other’s thoughts. They’re bound by their relationshi...
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The writers behind this newsletter.
I like shouting about science fiction.
Film critic and internet Puddleglum. Cocreator and erstwhile cohost of Seeing & Believing (the podcast). Now writing for Seeing & Believing (the newsletter).
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