Shadows and Dreams
Patrick Z. McGavinCriticism and commentary on the art of movies
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 32 | Founded | 4 years ago | Last Issue | 2 months ago |
| Active | |||||
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patrickzmcgavin.substack.comLatest Issues
Close-up, or the sacred and profane
More than a look: Efrat Dor speaks truth to power. (Photos courtesy of Shai Franco.)
In the second act of our dialogue, the Israeli actress Efrat Dor talks about what happened outside the frame, and the moral and political reckoning...
A Woman Under the Influence
(Efrat Dor is impossible to contain. Photos courtesy of Shai Franco.)
“I get very personal in interviews,” the Israeli actress Efrat Dor says at the start of our nearly one-hour video conversation.
She’s brimming with ideas, themes...
Film as a subversive and beautiful art
Editor Amir Etminan worked under constant threat of arrest and state harassment to complete the post of Jafar Panahi’s brilliant, It Was Just an Accident. (All photos courtesy of Neon)
My first year at Cannes was also my introduction...
All that heaven allows
The first vortex. Rob Tregenza’s The Fishing Place is poetry by other means. (All photos courtesy of Rob Tregenza and Cinema Parallel.)
Rob Tregenza has been a vital and electrifying figure in American cinema since his astonishing, f...
The Power and the Damned, or the reckoning
Scenes from a marriage: Adrien Brody and Felicity Jones in Brady Corbet’s The Brutalist. Photographs courtesy of A24 Films.)
Part two
(Note: this essay reveals key details about the end of the film.)
Nobody ever sees exactly the sa...
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