Sipping Lovely
DinkinishFor lovers of language and storytelling, food and wine
| Platform |  | Pricing | Only free issues | Publishes | Monthly |
|---|---|---|---|---|---|
| Issues | 40 | Founded | 3 years ago | Last Issue | 2 months ago |
| Active | |||||
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sippinglovely.substack.comLatest Issues
Softening is hard work
It doesn’t stop. The letting go. As a racialized woman living in a time of femicide and relentless inner and outer conflict, I realize the only way to thrive is to be like rain.
In Miami, the rain is a free woman. She falls hard when you l...
But the bodies of missing and murdered black girls don’t rise from the dead
Painting by Danielle McKinney, Daybreak, 2021, Acrylic on Canvas, 11 x 14 in., Courtesy of the Artist and Fortnight Institute, NY
I did not know Nancy Metayer Bowen. But as my best friend sat in the dark, stunned and drained, sharing the n...
A Beautiful Agony
First, the sound of drumming.
Then we danced, Lamoy and I.
The blood flowed,
my hips swayed.
This was holy ground.
Drigo.
Is.
Dead.
I had had a long day. I taught a few classes, stayed for office hours, and drove an hour south back...
The Phantom Self
Tamary Kudita African Victorian @africatotheworldzw
Tamary Kudita “African Victoria” @africatotheworldzw
“A phantom self was moving around doing what needed to be done on the farm, while the rest of her was in Georgia, sitting with her ch...
No More To Roam
“We make all this fuss about the dead, but what we owe them after the funeral…well, that’s something else. I’ll get to that, I promise you.”—
Ursa Blair’s “Godly Play for Godly Children” (Midnight & Indigo Speculative Fiction Anthology)
D...
Audience Metrics
Subscribers, engagement, traffic and sponsorship for Sipping Lovely.
| Subscribers | Engagement | 65 | Monthly Web Visits | ||
|---|---|---|---|---|---|
| Accepts Sponsors | Estimated Cost per Ad | ||||
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Authors
The writers behind this newsletter.
I'm a writer and poet, daughter of Jamaican immigrant storytellers who were children of storytellers and so on. After decades of navigating the formalities of language and storytelling in publishing and academia, I’m moving more intuitively.
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