
Music, history, and some things inbetween.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 65 | Founded | 4 years ago | Last Issue | 5 days ago |
| Active | |||||

Melartin is one of the many extraordinary Finnish composers who have been hidden behind Sibelius. Sibelius was only ten years older than Melartin, but those ten years made a big difference. By the time Melartin was producing his first piece...
Orange is a delightful meeting of music and nature. Most of the pieces on this album have a nature-related theme in some way — Shaw calls it ‘a garden that she and Attacca Quartet are tending.’ I tried to narrow it down to just one piece bu...
I’ve been thinking a lot about classical music and AI this month. As an industry broadly, classical music hasn’t been hugely impacted by AI yet. Pioneers in music and AI have been working with various kinds of artificial intelligence for ne...
Our first choral piece! This was one of Imogen Holst’s earliest major works, composed while she was still studying at the Royal College of Music, but it’s already quintessentially “her”. Written for unaccompanied choir, it’s refined, elegan...
Following on from last week, this week we’ve got a piece inspired by Bach and by the cello suites especially. Villa-Lobos was a Brazilian composer, and between 1930 and 1945 wrote a series nine orchestral works whose titles, “Bachianas Bras...
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The writers behind this newsletter.
Writer, presenter, and one-stop-shop for quirky creative history. I write especially about women in music. You can find me on Instagram and Bluesky @LeahBroad.
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