
Music, history, and some things inbetween.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 82 | Founded | 5 years ago | Last Issue | 4 days ago |
| Active | |||||

In the summer of 1788, thirty-two-year-old Mozart’s life was in turmoil. His baby daughter Theresia had just died of an intestinal illness, aged only six months old, following on the death of his father the year before. His country was at w...
I love a good homage. Many of my favourite contemporary compositions are reworkings of historical pieces — Max Richter’s reimagining of Vivaldi’s Four Seasons, Peter Gregson’s take on the Bach Cello Suites, and Roxanna Panufnik’s Kyrie Afte...
This is the piece that got me into Doreen Carwithen’s music. She was predominantly a film composer, and her flair for narrative writing comes through in this brilliant concerto. It launches explosively and carries that energy right the way...
This piano trio is such an intriguing piece. It opens with complete desolation, in a movement that seems to contain a whole work within itself. When you hit the end you’re left thinking, what can the composer possibly say after this? But th...
Nearly twenty years ago, I picked up a book that changed the way I thought about history. It was Hitler’s Willing Executioners: Ordinary Germans and the Holocaust, by Daniel Jonah Goldhagen. This was not a book like any I’d read before. I w...
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The writers behind this newsletter.
One-stop-shop for quirky cultural history. I write especially about women in music. You can find me on Instagram and Bluesky @LeahBroad.
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