
Interdisciplinary arts organisation exploring sound, art, and ecology through commissions, residencies, publications and the Sonic Acts Biennial.
| Platform | Pricing | Freemium | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 137 | Founded | a year ago | Last Issue | 4 days ago |
| Active | |||||

Ex Aqua is a live improvisational performance by theorist and poet Ayesha Hameed and musician Aimée Theriot. Their piece invites the audience into what Palestinian artist Bint Mbareh calls ‘aggressive listening’, exploring the concept of ‘e...
The composer on her expansive new album ‘The Will of Tongues’, the enduring resonance of the organ, psychoacoustics, and receiving the prestigious Silver Lion award.
This interview was commissioned specifically for Substack and was conduct...
Drawing from his forthcoming text Notes on the Third Ear (to be published by Urbanomic in 2026), musician, artist, and theorist Steve Goodman (Kode9) updates latent themes from his influential book Sonic Warfare to reflect on the politics o...
Hand reaching into the Hoosic River, Williamstown, MA (Stockbridge-Munsee Mohican land), 2020. Photo by Sarah Rara. [At the centre of the image, a hand reaches into swirling grey waters; the water creates distortion, blurring the fingers wh...
In her performative lecture Deep Time Soundings, researcher, curator, artist, and educator Margarida Mendes traces the rapidly changing ecology of Portugal’s Tagus River – a landscape marked by pollution, dam control, and eucalyptus monocul...
Subscribers, engagement, traffic and sponsorship for Sonic Acts.
| Subscribers | Engagement | 72 | Monthly Web Visits | ||
|---|---|---|---|---|---|
| Accepts Sponsors | Estimated Cost per Ad | ||||
The writers behind this newsletter.
Interdisciplinary arts organisation exploring sound, art, and ecology through commissions, residencies, publications, and the Sonic Acts Biennial.
Hannah Pezzack is a British writer, editor, and curator based in the Netherlands. Currently running substack.com/@sonicacts ✍️
re-thinking politics from the indivisible dimension of sound, and re-thinking music from its political economy.
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