
Interdisciplinary arts organisation exploring sound, art, and ecology through commissions, residencies, publications and the Sonic Acts Biennial.
| Platform | Pricing | Freemium | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 132 | Founded | a year ago | Last Issue | 5 days ago |
| Active | |||||

The seventh edition of ‘Ecoes’ magazine, themed around listening and the unseen
This publication is sold out in print. Paid subscribers to the Sonic Acts Substack can download a PDF via the link at the end of this post.
The sixth edition of ‘Ecoes’ magazine, and the reader for the 30th-anniversary Sonic Acts Biennial
This publication is sold out in print. Paid subscribers to the Sonic Acts Substack can download a PDF via the link at the end of this post.
The fourth edition of ‘Ecoes’ magazine, an immersion into toxicity and crude capitalism
This publication is sold out in print. Paid subscribers to the Sonic Acts Substack can download a PDF via the link at the end of this post.
The Anthropocene, deep time, and our changing relationship with the Earth.
This publication is sold out in print. Paid subscribers to the Sonic Acts Substack can download a PDF via the link at the end of this post.
A chronicle of ‘Dark Ecology’, a collaborative research project inspired by Timothy Morton’s eponymous concept
This publication is sold out in print. Paid subscribers to the Sonic Acts Substack can download a PDF via the link at the end of...
Subscribers, engagement, traffic and sponsorship for Sonic Acts.
| Subscribers | Engagement | 72 | Monthly Web Visits | ||
|---|---|---|---|---|---|
| Accepts Sponsors | Estimated Cost per Ad | ||||
The writers behind this newsletter.
Interdisciplinary arts organisation exploring sound, art, and ecology through commissions, residencies, publications, and the Sonic Acts Biennial.
Hannah Pezzack is a British writer, editor, and curator based in the Netherlands. Currently running substack.com/@sonicacts ✍️
a Polish/Bulgarian researcher, writer and editor based in Amsterdam
re-thinking politics from the indivisible dimension of sound, and re-thinking music from its political economy.
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