
Weekly dispatches from the edit bay exploring the art of making movies through the lens of film editing.
| Platform | Pricing | Only free issues | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 17 | Founded | 3 months ago | Last Issue | 10 days ago |
| Active | |||||

Maybe it’s because last week’s Mission: Impossible article is cruising (haha!!) to the top of SPLICE WORLD’s most popular posts, but this week I’m tackling the existential threat facing both the Impossible Mission Force and the film industr...
If you know me, you know I love three things: Magic Mike (and XXL obviously), Japanese family dramas (put it on my tombstone), and Tom Cruise.
Or, as he’s known in this house, The Best and Weirdest to Ever Do It.
When I’m not threatening...
Happy Thursday, everyone, and welcome new subscribers!
As CEO of SPLICE WORLD LTD.1 I’ve decided to start publishing on Thursday. Please refer any complaints to my assistant, Popcorn the Cat.
Sleeping on the job.
As an editor, you never...
To me, every cut is a major decision and it should dictate the next cut. And I’m not looking at the next cut. I’m looking at the cut I’m making right now and I’ll find the next cut. It’s like following a peanut trail through the forest.
-T...
A man named Macreedy steps into a desolate, unforgiving landscape. He’s surrounded by a group of paranoid, increasingly dangerous men hiding an unspeakable evil. Human civilization is out of reach, no one is coming to save him. These men wi...
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The writers behind this newsletter.
Exploring the art of making movies through the lens of film editing. Sundance award-winning director and editor. Chained to the edit bay since 2013.
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