
Where the sacred calling of story meets the exacting discipline of the frame
| Platform | Pricing | Freemium | Publishes | Daily | |
|---|---|---|---|---|---|
| Issues | 44 | Founded | 8 months ago | Last Issue | 24 days ago |
| Active | |||||

A few weeks ago, I had the opportunity to work with a group of talented emerging filmmakers through the New Orleans Film Festival Director’s Lab. These were incredibly thoughtful young directors, many of them in the early stages of finding...
One of the questions I’m asked most often by emerging directors is deceptively simple:
How do you get a great performance from an actor?
It is a question that follows directors at every stage of their journey, from film school clas...
There are films that live in you long after you have seen them, and Get Out is one of those films for me. I have watched it so many times that it often plays in a continuous loop at home, and I never tire of it because it operates on every...
(Spoilers ahead. Not just for this film, but for many of the works discussed throughout this series.)
I want to say something before getting into this series.
I’m not writing these pieces from the position of someone who believes they hav...
One of the questions I get asked most often is: “What should I be watching?”
The truth is, I watch everything. Films. Television. Music videos. Experimental shorts. Performances. Old cinema. New cinema. Things that are technically brillian...
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The writers behind this newsletter.
New Orleans born TV and film director writing about craft, creative process, intuition and the inner work that shapes powerful storytelling.
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