The Director’s Notebook with Stacey Muhammad
Stacey MuhammadWhere the sacred calling of story meets the exacting discipline of the frame
| Platform |  | Pricing | Freemium | Publishes | Daily |
|---|---|---|---|---|---|
| Issues | 37 | Founded | 7 months ago | Last Issue | 10 days ago |
| Active | |||||
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THE ENERGY IN THE ROOM
A few years ago I was directing a show called Guilty Party for CBS that filmed in Calgary, Canada, a city that holds a particular reputation as the migraine capital of Canada. Between the altitude, the weather shifts, and the long hours, th...
INSIDE THE WORK
I’m writing this from set, day five of directing on Reasonable Doubt, surrounded by an extraordinary cast, crew, producers, department heads, writers, and artists who care deeply about the work and one another.
One of the things that has s...
THE ARCHITECTURE OF PREP
There is a common misconception that directing begins when the director calls action. In truth, by the time the camera rolls, much of the real work has already begun. Prep is where the episode begins to take shape, where instinct meets logi...
BACK IN THE WORK
I’ve been quiet here for a couple of weeks. Much of that time has been spent deep in writing and development, building, refining, and preparing a new wave of essays, lessons, and lab work that I’m looking forward to sharing inside The Direc...
WHAT IS YOUR WHY?
Every so often, I hear an artist speak about being overlooked with such intensity that it reveals something deeper than disappointment. It reveals a kind of dependence, not on the work itself, but on being affirmed for the work, on being na...
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Authors
The writers behind this newsletter.
New Orleans born TV and film director writing about craft, creative process, intuition and the inner work that shapes powerful storytelling.
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