The Director’s Notebook with Stacey Muhammad
Stacey MuhammadWhere the sacred calling of story meets the exacting discipline of the frame
| Platform |  | Pricing | Freemium | Publishes | Daily |
|---|---|---|---|---|---|
| Issues | 42 | Founded | 7 months ago | Last Issue | 14 days ago |
| Active | |||||
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SOME STORIES REQUIRE BECOMING THE PERSON CAPABLE OF TELLING THEM
There are films that live in you long after you have seen them, and Get Out is one of those films for me. I have watched it so many times that it often plays in a continuous loop at home, and I never tire of it because it operates on every...
THE DIRECTOR'S NOTEBOOK RECOMMENDS
(Spoilers ahead. Not just for this film, but for many of the works discussed throughout this series.)
I want to say something before getting into this series.
I’m not writing these pieces from the position of someone who believes they hav...
THE DIRECTOR'S NOTEBOOK RECOMMENDS
One of the questions I get asked most often is: “What should I be watching?”
The truth is, I watch everything. Films. Television. Music videos. Experimental shorts. Performances. Old cinema. New cinema. Things that are technically brillian...
ALLOW ME TO REINTRODUCE MYSELF
To all the new subscribers who found their way here after my recent essay, welcome. Truly.
Over the last few days, I’ve watched this space grow in a way that feels deeply meaningful to me, and I wanted to take a moment to properly introduc...
THE POLITICS OF CONSEQUENCE
I recently finished rewatching Ozark and found myself unsettled all over again by how thoroughly the Byrdes were allowed to survive their own devastation.
Over the course of the series, Marty and Wendy Byrde launder money, orchestrate viol...
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Authors
The writers behind this newsletter.
New Orleans born TV and film director writing about craft, creative process, intuition and the inner work that shapes powerful storytelling.
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