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Standard Gauge

Lawrence Garcia

Untimely detours on film

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PricingOnly free issuesPublishesWeekly
Issues10Founded5 years agoLast Issue3 years ago
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Latest Issues

The Times of the Signs

What follows is an expanded version of a paper I delivered at the 2023 Society of Cinema and Media Studies Conference. I reproduce it here because this paper is really intended for anyone interested in writing critically about film as art r...

3 years ago
8

Child's Play

Matinée (1977, Jaime Humberto Hermosillo)

“What are the conditions of cinematic realism?” Probably the most influential treatments of this question remain those of André Bazin, whose theoretical writings approach it from a number of angles...

3 years ago
2

Both Sides Now

Knock at the Cabin (2023, M. Night Shyamalan)

In M. Night Shyamalan’s Knock at the Cabin, a seven-year-old girl and her two fathers are vacationing in the woods, when they are taken hostage by four strangers who confront them with a terrib...

3 years ago
3

Casting a Glance

in water (2023, Hong Sang-soo)

The 73rd Berlinale was never likely to go down as one of the festival’s more memorable editions, but consensus on the ground was that it was a weaker year than most. There were of course good films. But there...

3 years ago

In the Moment

Music (2023, Angela Schanelec)

For the first few days of the 73rd Berlin International Film Festival, my most rewarding viewings came from neither the Competition nor the Encounters slates, but the Forum lineup. Prior to the festival, I’d...

3 years ago

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  • Lawrence Garcia

    I write, mainly on film, and have bylines in Cinema Scope, Mubi's Notebook, Film Comment, Cineaste, and Reverse Shot. I used to be an electrical engineer but am currently a graduate student at York University.

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