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StephenFollows.com - Using data to explain the film industry

Stephen Follows
Hundreds of paid subscribers

I use data to understand how the film industry works and then share that to help filmmakers get their films funded, shot and seen.

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Substack
PricingFreemiumPublishesTwice weekly
Issues538Founded2 years agoLast Issue6 days ago
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Latest Issues

Why movie clichés are GOOD, actually

No one says "Follow that car!" anymore... and there's a reason why.

I ran the numbers on over 72,000 films to find the most reused lines in cinema, revealing how movie clichés are born, spread, and die.

Chapters

  • 00:00 - Movie c...
6 days ago
12
2

Does winning Cannes actually help a film at the box office?

Today is the first day of the 2026 Cannes Film Festival. 22 films are competing to win the coveted top prize in cinema - the Palme d’Or.

Winning a Palme will certainly give you a moment of fame, the adulation of filmmakers, and a chance to...

8 days ago
17
2

What does the Marché du Film 2026 programme say about the film industry?

I gathered every conference session at the Marché du Film over the past three years (742 events, 1,664 speakers) to see who turns up, who walked away, and what the industry wants to talk about in 2026

In ten days, I’ll be on the Croisette...

20 days ago
17
Paid

What the data says about who should be the next James Bond

Predicting who will be the next James Bond has become one of the great communal conversations. Whether that’s via prediction markets, professional bookmakers, newspaper headlines, or just down the pub - everyone has an opinion.

I think it...

23 days ago
30
6

Which film directors have the most consistent visual style?

Andrew Sarris, in his 1963 essay “The Auteur Theory and the Perils of Pauline” reflected on the emerging idea of a film auteur like this:

After a given number of films, a pattern is established, and we can speak of the Rays, of Ophuls, R...

a month ago
17
1

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  • Stephen Follows

    I'm a film industry analyst, passionate about understanding how the industry works and sharing insights to help filmmakers get their projects funded, made, and seen. I consult for Guinness World Records on film-related records.

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