
I use data to understand how the film industry works and then share that to help filmmakers get their films funded, shot and seen.
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A few years ago, David Wilkinson got in touch to ask for advice on his crowdfunding campaign. One of the topics he wanted to chat about was the ‘cost’ of offering a “Thanks” credit to his backers.
When I published my first piece on standing ovations at film festivals a few weeks ago, I expected it to be a niche topic.
When I was making short films twenty years ago, it seemed really important to carefully curate which film festivals you gave your premiere status to (i.e. the first time your film is screened to the public anywhere).
There is a hard truth about cinema-going that many in the exhibition sector don’t seem to want to admit.
Other publications recommended by the authors of this newsletter.
The writers behind this newsletter.
I'm a film industry analyst, passionate about understanding how the industry works and sharing insights to help filmmakers get their projects funded, made, and seen. I consult for Guinness World Records on film-related records.
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