
A weekly letter for the creative spirit—every Monday since 2018.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 51 | Founded | 4 years ago | Last Issue | a year ago |
| Active | |||||

Sadie Bell Nelson, Center Medallion—Single-Block "Monkey Wrench" Variation, c. 1965. For more, see the history of Gee’s Bend quilts.
Friends,
Still Life started with bees and flowers. Lindsey and I were sitting in our car in Los An...
Lenore Tawney, postcard to Maryette Charlton, February 15, 1969
Friends,
This year started with a close reading of a still life painting and the search for a common tenderness of heart. Almost 365 days later, and that search still...
Barbara Hepworth, Winter Solstice, 1970
Friends,
When I finished my masters program in theology and the arts, I had no idea what was next for my life. But when I was wandering around campus with friends, I glanced into a dumpster a...
Mary Sully, a detail of “Fiorello La Guardia (1882–1947)”, c. 1920s. A Lakota artist, Sully’s artwork blends her indigenous heritage with Episcopal spirituality and early American abstraction.
Friends,
I recently wrote some reviews...
The Nebra sky disc. c.1800–1600 BC, copper & gold, Early Bronze Age
Friends,
One of the many things I love about poetry and art and all the rest is how they can flatten time. The art critic Helen Molesworth talks about art as time...
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The writers behind this newsletter.
Michael writes Still Life, a weekly letter for the creative spirit.
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