
we're all born in stories. this is your source for monthly essays on what film, tv and media say about us.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 9 | Founded | 7 months ago | Last Issue | 25 days ago |
| Active | |||||

Okay. This one might seem a wee bit random. And it kind of is, I suppose. After all, Netflix’s The Society came out in 2019, and was cancelled in 2020 due to covid, over six years ago. Except, I got thinking about it recently after Outer Ba...
Picture the scene: it’s 2020, you’re out of school for good, and there’s a heatwave in Scotland. Life is looking quite nice, apart from the covid pandemic and all that. But the sun’s shining, and you try not to think about the chaos breakin...
Is it just me, or is modern romance feeling slightly… flat?
Like it’s missing the spark that ships had in 00s or 10s TV shows, the kind of spark that would make you blush and giggle and get you hooked on every single episode - or movie - a...
Bridgerton is a Netflix juggernaut. It’s not difficult to see why it’s so popular: it’s a posh period drama loosely set in regency era England, it’s got great diversity, and it’s full of steaminess. With lots of attractive people.
The sho...
I’ve always loved fantasy. And last week, I got to revisit one of my all-time favourite fantasy franchises:
Probably not what you were expecting. But I’m not kidding, this was eight-year-old me's crack. Swan Lake is my particular favourite...
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The writers behind this newsletter.
your no.1 source for obsessive tv analysis. a wee bit of film too. and everything in-between \ud83c\udf1f
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