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Latest Issues

New Humans: Memories of the Future Director's Cut

Ballet Mécanique

Now that it’s just us, let’s get down to the nitty gritty. As CVF says, the ‘new human’ and ‘cybrog’ themes this exhibition centers around aren’t exactly, as the eponymous museum may claim, new. It’s…

7 days ago
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New Humans: Memories of the Future

The New Museum just got new-er. They’ve expanded, and the inaugural exhibition, New Humans: Memories of the Future, curated by Massimiliano Gioni, is a huge ‘kitchen sink’ or ‘supermarket’ kind of experience. The Strict Crits, still in the...

7 days ago

The Venice Biennale 2026 Director's Cut

Walk-and-Chat with the Fellas

Enjoy twice as much commentary with the Director’s Cut. Hear the Strict Crits discuss how the Biennale compares to those previous, cultural representation in the Central pavilion, and the politics of…

16 days ago
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Venice Biennale 2026 Postmortem

A Nightmare of Air-Kissing

The Strict Crits dodge the rain in Venice to chat inside about the 2026 Biennale. We hear their first-blushes and how this iteration of the Biennale compares to those of the past. Were they overloade…

17 days ago
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The Venice Biennale 2026

Our Strict Crits stroll through the pavilions at the Venice Biennale. They visit the Austrian, American, and Spanish pavilions, as well as the Central pavilion where In Minor Keys is exhibited. Critiques of artworks include those by Linda G...

17 days ago
5

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Authors

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  • Christian Viveros-Fauné

    I'm the "Critical" in "Strictly Critical."

  • Blake Gopnik

    I’ve been the art critic of the Washington Post and Newsweek, and now I contribute to the New York Times. I’ve written biographies of Warhol and Albert Barnes. I've made a living writing about art and artists. What could be better than that?

  • Tom Winchester

    Art Critic, Publisher of Art Critter

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