Cine Casita
Sasha SantiagoCine Casita 2026 explores living cinema—outsider filmworks beyond global streaming, returning film to a gathering of disciplines and a social creative outlet.
| Platform |  | Pricing | Freemium | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 71 | Founded | 2 years ago | Last Issue | 4 days ago |
| Active | |||||
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sashasantiago.substack.comLatest Issues
Where Reality Meets the Dream
What if the cinema camera of the future isn’t just a better camera? What if it’s a whole damn filmmaking machine, capturing, mastering, and distributing in real time?
I’d call it a GI System, or in this case, the Genuine Intelligence Syste...
Sunday Special: FILMSTACK CLUB
FilmStack Club is a weekly virtual film club where you can show up, watch films, discover what other filmmakers are making, and share your own work, with a focus on micro-budget filmmaking.
A film club for micro-budget filmmakers, led b...
Film’s Only Two Purposes: Serve a Destination or Have No Meaning at All.
Bringing art into existence will cost you something.
It’ll cost you either cash money or a piece of your life you won’t ever get back.
All cinema may not be art, but an artistic act is required to make most of cinema, as long as it requ...
Beyond the One-Off: Building a NonDē Collective Vehicle
The opportunity with When the Wi-Fi Died is to shift collective filmmaking from a series of individual projects into a low-stakes creative ecosystem with room to expand.
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One of the challenges I keep coming back to within the...
When Guerrilla Filmmakers Outflank Goliath.
What’s a feature film actually worth today, in a market flooded with content nobody asked for and can’t tell apart? What happens to the old rulebook once anyone can shoot, edit, publish, and sell directly to an audience for almost nothing?...
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Subscribers, engagement, traffic and sponsorship for Cine Casita.
| Subscribers | Engagement | 71 | Monthly Web Visits | ||
|---|---|---|---|---|---|
| Accepts Sponsors | Estimated Cost per Ad | ||||
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Authors
The writers behind this newsletter.
Outsider filmmaker developing a new cinema model: actor labs, street-level production, and hyper-local distribution.
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