Suzy Wong
| Platform |  | Pricing | Freemium | Publishes | Daily |
|---|---|---|---|---|---|
| Issues | 334 | Founded | 5 months ago | Last Issue | 4 days ago |
| Active | Language |  French | |||
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bipedalchrysanthemum.substack.comLatest Issues
LA FEMME QUE LES LANDES VOYAIENT AVANT SA NAISSANCE (2/3)
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Les versions qui refusent de rester mortes
Le vieux métro noir respirait. Y’a pas d’autre mot. Les wagons gonflaient légèrement avant de se contracter comme des poumons rouillés remplis d’eau froid...
The Republic of Biceps
Every era gets the political spectacle it deserves. Some generations got soaring speeches. Some got moon landings. Some got great debates about the future of civilization.
We got an 80-year-old president enthusiastically reviewing the thig...
LA FILIÈRE BATTERIE OU COMMENT TRANSFORMER DES MILLIARDS EN POWERPOINT
Au Québec, on a déjà eu le bois. On a déjà eu les pâtes et papiers. On a déjà eu l’aluminium. On a déjà eu le gaz de schiste. On a déjà eu les centres d’appels. On a déjà eu les cryptomonnaies. Puis un matin, quelqu’un a crié :
« J’ai tro...
LA FEMME QUE LES LANDES VOYAIENT AVANT SA NAISSANCE (1/3)
Parce que a beaucoup écrit sur les Brontë
Parce que m’a dit de parler de moutons et de chamallows…
Dédicace
À celles pis ceux qui continuent d’habiter leur vie, même quand le monde essaye constamment de les transforme...
L’ange qui gardait les voix
Imaginé à partir du prompt de
Johanne avec un T
T'as quelque chose dans l'œil
Read more
5 days ago · 3 likes · 3 comments · Johanne
Au cœur d’un village que les cartes oubliaient souvent de nommer, il existait un cimetière plus ancien...
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Audience Metrics
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| Subscribers | Engagement | 79 | Monthly Web Visits | ||
|---|---|---|---|---|---|
| Accepts Sponsors | Estimated Cost per Ad | ||||
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Authors
The writers behind this newsletter.
Contrairement aux fleurs figées pour la Toussaint, le chrysanthème bipède avance, têtu, sans carte ni destination./ Unlike flowers frozen for All Saints’ Day, the bipedal chrysanthemum moves on, stubborn, mapless, bound nowhere.
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