
Art school, travel, a degree in Indian art and philosophy, a spell in academia as a researcher critiquing the shit out of educational research using complexity theory...none of it answered my questions about how and why to make art.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
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| Issues | 89 | Founded | 2 years ago | Last Issue | 7 days ago |
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Dalziel + Scullion, Small Works of Great Scale
The 200th Annual Exhibition of the Royal Scottish Academy finished recently here in Edinburgh.
I have to admit to feeling fairly prejudiced towards what I have always assumed this institutio...
This book has come back to me, requesting that I step off the linear track of always trying to move forward/make space for emergent newness/surprise myself, and instead spiral back. To look again, perhaps more spaciously this time, to see w...
Show up.
You’ve got to show up.
At the very least, you have to show up.
I see this expression everywhere at the moment. Pretty much any discussion of creative process, there it is.
Well, sure, I think we can all agree that if you don’t...
A previous essay of mine, ‘Opening to the Worlds of Others’, was recently restacked a couple of times. It described painting in response to watching other artists (mainly performers) working with a teacher; a situation where I didn’t have t...
Jules Depaquit, (1869-1924), Dégustation du vin de Montmartre
You’d think by now I would have a cast-iron system for making sure that everything I photographed in a gallery or museum could be linked to its title and its creator. Not so. Ho...
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Art school, travel, a degree in Indian art and philosophy, a spell in academia as a researcher critiquing the shit out of educational research using complexity theory...none of it answered my questions about how and why to make art.
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