
Art school, travel, a degree in Indian art and philosophy, a spell in academia as a researcher critiquing the shit out of educational research using complexity theory...none of it answered my questions about how and why to make art.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 108 | Founded | 2 years ago | Last Issue | 7 days ago |
| Active | |||||

I started trying to archive all my work on facebook, thinking of deleting the account so that Zuckerberg can’t get his hands on anything. This is a group of images from 2014, when I was playing with fractals and painting with sand.
I wrote...
Substack Note, September 29th
I do not sit down at my desk to put into verse something that is already clear in my mind. If it were clear in my mind, I should have no incentive or need to write about it. We do not write in order to be un...
Remix, 2012., Woven by Freya Sewell and Emily Fogerty. Dovecot Apprentice Weavers.
As I was walking away from the Talbot Rice Gallery last week, I passed Dovecot Studios, once a Victorian swimming pool, now a centre for weaving and textile...
The Talbot Rice Gallery is a joint venture between Edinburgh Art College and the University of Edinburgh, funded by the university and others. It seems to me to be a good place to go and take the temperature of the art world, and to further...
When I first came back to playing my violin a few months ago, I experienced all of the frustration and general impatience with my limitations that have dogged me for all of my life with this instrument. As a child, my violin learning got in...
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Art school, travel, a degree in Indian art and philosophy, a spell in academia as a researcher critiquing the shit out of educational research using complexity theory...none of it answered my questions about how and why to make art.
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