
Art school, travel, a degree in Indian art and philosophy, a spell in academia as a researcher critiquing the shit out of educational research using complexity theory...none of it answered my questions about how and why to make art.
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Show up.
You’ve got to show up.
At the very least, you have to show up.
I see this expression everywhere at the moment. Pretty much any discussion of creative process, there it is.
Well, sure, I think we can all agree that if you don’t...
A previous essay of mine, ‘Opening to the Worlds of Others’, was recently restacked a couple of times. It described painting in response to watching other artists (mainly performers) working with a teacher; a situation where I didn’t have t...
Jules Depaquit, (1869-1924), Dégustation du vin de Montmartre
You’d think by now I would have a cast-iron system for making sure that everything I photographed in a gallery or museum could be linked to its title and its creator. Not so. Ho...
Pierre-Auguste Renoir, 1876, Bal du moulin de la Galette
There’s something quite disturbing about trying to write about my recent experience of five days in Paris. It feels a bit like deciding to paint a landscape and then submitting it to...
Chats et Lunes (detail), about 1885, by Théophile-Alexandre Steinlin (1859-1923).
The great thing about having had a crap early education and then spending 25 years studying India, China and Japan is that everything closer to home is now b...
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Art school, travel, a degree in Indian art and philosophy, a spell in academia as a researcher critiquing the shit out of educational research using complexity theory...none of it answered my questions about how and why to make art.
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