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Threads of the Tapestry

Michelle Ried

Essays exploring philosophy, poetry, research, creativity, and the deeper patterns that shape human life.

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Substack
PricingOnly free issuesPublishesTwice weekly
Issues235Founded2 years agoLast Issue8 days ago
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Latest Issues

Look Again

Magritte, René. The False Mirror. 1929. Oil on canvas, Museum of Modern Art, New York. Seeing is never neutral. Magritte reminds us that a person is always more than our perception of them.


We need stories to live. Experience teach...

8 days ago
5

The Poetry of Law

Piero del Pollaiuolo. Justice. 1469–1472. Tempera grassa on wood. Uffizi Galleries, Florence. The structure was never the point. Justice was.


A legal provision and a poem can begin the same way—someone tries to define words by carvi...

14 days ago
6
7

I'm Cooking Again

Henri Matisse’s The Red Room (Harmony in Red) 1908 transforms an ordinary space into something alive—a fitting image for the quiet return of creativity, embodiment, and self.


A kitchen can be fully functional and still be a space wh...

15 days ago
5

Hedera Helix


Threads of the Tapestry is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

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21 days ago
7

Standing in the River

Beers, Julie Hart. Looking upon the River. 1880, Art Institute of Chicago. Forest close in the foreground—past it the water opens toward the mountains. That’s the whole walk ahead of us through the tangle, toward what won’t be held.

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22 days ago
13
2

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  • Michelle Ried

    Reader, Thinker, Writer, Poet // Operations Manager, Bridwell Library & Press, SMU // Graduate Student, MLS Organizational Dynamics, SMU // US Navy Vet // Mom of 3

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