Voice and The Whole Story: Flash, Short Stories, & Novels
Thaisa FrankA newsletter about flash fiction, short stories, and the novel with special attention to what makes a story whole and complete, and how content and voice work in harmony. Emphasis on tools that writers can rework.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 8 | Subscribers | Read | thaisafrank.substack.com |
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Latest Issues
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Omissions Part I: Contracting the Accordion in Flash Fiction and Letting the Readers Fill in the Blanks
In the last newsletter, I suggested that we consider the accordion as a model of fiction. It compresses and expands rhythmically, and this pulsating motion creates a whole and satisfying piece of music. Instead of silence and notes, the bas...
The Whole Story
When I was on the staff of a writer’s conference, someone said, about a story we were workshopping, “I like it except for the whole thing.”
The Whole Story
When I was on the staff of a writer’s conference, someone said, about a story we were workshopping, “I like it except for the whole thing.”
Voice-Part II: The Natural Speaking Voice
In my last newsletter, I talked about two aspects of the writer's artistic expression: The first involves being aware that the reader is a stranger whom you will only meet on the page. The second involves engaging the reader by never tellin...
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