
The Anchor & The Archive: Where deep roots chart new territories. Through Black Feminist praxis, I center Black womanhood as the foundational archive to reveal how communities pursue lasting legacies and unconditional belonging.
| Platform | Pricing | Freemium | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 15 | Founded | 8 months ago | Last Issue | 9 days ago |
| Active | |||||

Reflections on the anniversary of the Combahee Ferry Raid, the creativity of qualitative methodology, and why real scholarship requires us to put our own oxygen masks on first.
If you haven’t been living under a social media rock, you’ve l...
Artist: Jordan Blake, Seed of Gratitude
It’s about that time.
Our collective thawing is making its descent.
Can’t you tell? My inbox is filled with Memorial Day sitewide discount codes.
It’s almost time for summer. We’re at the starting...
Artist: Theophilus Tetteh, Let’s Have A Little Chit Chat (2025)
No matter where you turn on social media, you’ll see an ongoing dialogue about preserving the Black experience. From people eager to archive their familial legacy to researche...
Artist: DeAnn Wiley, Interconnected
As I type, I’m eavesdropping on a conversation at a coffee shop. The topic? Megan being cheated on, of course. I’m not close enough to know the context or the individual scars of the women speaking, but...
Artist: Nina Chanel Abney, Super Cool World
I wasn’t going to say anything, but here goes nothing.
The Anchor & The Archive is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid sub...
Subscribers, engagement, traffic and sponsorship for The Anchor & The Archive.
| Subscribers | Engagement | 70 | Monthly Web Visits | ||
|---|---|---|---|---|---|
| Accepts Sponsors | Estimated Cost per Ad | ||||
The writers behind this newsletter.
Scholar-practitioner in Education Policy & Black Feminist Cartography. I use writing to build the muscle of (re)memory, transforming history’s truths into collective legacy and powerful storytelling. Views are my own.
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