
Setting entertainment executives, investors, studios, streamers, creators & anyone interested in the business of entertainment straight. I understand the business forces shaping Hollywood and what needs to change for the industry to survive & thrive
| Platform | Pricing | Freemium | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 93 | Founded | 2 years ago | Last Issue | 6 days ago |
| Active | |||||

Disney and Netflix are cutting. Paramount/Warner Bros are next. Creators are showing them why.
On September 29, Disney laid off a few hundred more employees, mostly in human resources and technology, according to The Hollywood Reporter. It...
Same cast. Same crew. Same $300,000. A cliffhanger every 90 seconds, and platforms that can pay in months.
Picture an ultra-low-budget feature.
Peter,
Congratulations!!!
You are going to get a hundred of these this week from people you know and don’t know. I have read a few already. The advice has converged fast. Embrace theatrical. Fix consumer products. Stop being surprised by...
Congress should bring back Fin-Syn for the streaming age, for series and films. Britain showed what happens when producers own their shows: the sector grew 150%.
On October 14, a new coalition called the American Entertainment Alliance ask...
Disney lost IMAX for Avengers: Doomsday. Its answer moves the cost to exhibitors, keeps the brand, and is now being offered to the rest of Hollywood.
In 2019, Avengers: Endgame earned $212 million on IMAX screens, per TheWrap.
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The writers behind this newsletter.
Most entertainment reporters don’t understand the business. You want someone who’s been in the room many times. I’m a producer and past C-suite studio exec w/30 years experience. This newsletter is what I wish I’d had.
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