
Helping entertainment executives, investors, studios, streamers, creators and anyone interested in entertainment understand the business forces shaping Hollywood and what needs to be changed for the industry to survive and thrive
| Platform | Pricing | Freemium | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 72 | Founded | 2 years ago | Last Issue | 5 days ago |
| Active | |||||

The Government of Canada is spending C$23 million over 3 years on the Toronto Film Festival’s first sanctioned market. Except not one Toronto world premiere closed a U.S. deal during the last festival
The Deal
One word from a 1970s contractual definition can make the largest revenue line for independent films invisible to every residual formula. None of the Guilds have attempted to change it in five decades
In the summer of 2022, independent fil...
Is There Grant Big Enough To Matter?
The Deal of the Week
A Disney+ subscription at the center, merchandise moved under the entertainment studios’ control, a TikTok & Verts deal will reshape consumer contact. Disney will look completely different in 2 years
For 100 years, all of the major film st...
What a $35 Million Dollar Film Actually Costs, And Who Actually Pays For It
Every few months I see someone write a post about the mid-budget movie. And how this tier is dead. That audiences have abandoned it. That streaming took it. And th...
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The writers behind this newsletter.
You don’t need another trade recap. You need someone who’s been in the room. I’m a film and TV producer with 30 years across studios, agencies, distribution and marketing. This newsletter is what I wish I’d had — and what the trades won’t tell you.
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