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THE BUSINESS OF ENTERTAINMENT: UNFILTERED

Randy Greenberg
Hundreds of paid subscribers

Setting entertainment executives, investors, studios, streamers, creators & anyone interested in the business of entertainment straight. I understand the business forces shaping Hollywood and what needs to change for the industry to survive & thrive

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Substack
PricingFreemiumPublishesTwice weekly
Issues93Founded2 years agoLast Issue6 days ago
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Artwork for THE BUSINESS OF ENTERTAINMENT: UNFILTERED

Latest Issues

HOLLYWOOD’S COMPETITION HAS NO STUDIO-SIZED OVERHEAD

Disney and Netflix are cutting. Paramount/Warner Bros are next. Creators are showing them why.

On September 29, Disney laid off a few hundred more employees, mostly in human resources and technology, according to The Hollywood Reporter. It...

6 days ago
3
Paid

YOUR INDIE FILM PAYS BACK IN YEARS. THIS ONE PAYS BACK IN MONTHS.

Same cast. Same crew. Same $300,000. A cliffhanger every 90 seconds, and platforms that can pay in months.

Picture an ultra-low-budget feature.

10 days ago
10
Paid

BONUS POST: PETER RICE, PLEASE MAKE ME CARE ABOUT NETFLIX MOVIES

Peter,

Congratulations!!!

You are going to get a hundred of these this week from people you know and don’t know. I have read a few already. The advice has converged fast. Embrace theatrical. Fix consumer products. Stop being surprised by...

11 days ago
12
12

PRODUCERS NEED SOMETHING TO OWN.

Congress should bring back Fin-Syn for the streaming age, for series and films. Britain showed what happens when producers own their shows: the sector grew 150%.

On October 14, a new coalition called the American Entertainment Alliance ask...

13 days ago
9
1
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DISNEY OWNS THE NAME. THE THEATERS PAID FOR THE UPGRADE.

Disney lost IMAX for Avengers: Doomsday. Its answer moves the cost to exhibitors, keeps the brand, and is now being offered to the rest of Hollywood.

In 2019, Avengers: Endgame earned $212 million on IMAX screens, per TheWrap.

17 days ago
6
Paid

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  • Randy Greenberg

    Most entertainment reporters don’t understand the business. You want someone who’s been in the room many times. I’m a producer and past C-suite studio exec w/30 years experience. This newsletter is what I wish I’d had.

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