The Curatorial Collector
Haydin DavisInsights into the art world past and present: museums, the art market, and the stories behind the world's masterpieces.
| Platform |  | Pricing | Freemium | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 56 | Founded | a year ago | Last Issue | 11 days ago |
| Active | |||||
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thecuratorialcollector.substack.comLatest Issues
The Forgotten Old Masters
Discover 7 painters the world may have forgotten…but museums never did.
As we know, the history of art has always been selective. Textbooks condense centuries of artistic production into a handful of household names, leaving hundreds of ex...
The 7 Books That Helped Me Learn About Art
Growing up, art was always a part of my world. In kindergarten, when people asked what I wanted to be, my answer was always the same: an artist. I spent my childhood drawing, painting, sewing, and even learning to throw clay on a potter’s w...
The Masterpiece Memo #5: Artemisia Gentileschi’s Judith Beheading Holofernes (1620)
An artist's revenge and the rewriting of a reputation.
Artemisia Gentileschi. Chances are, unless you’ve been living under a rock, you’ve heard her name. Or at least you should. In recent years, it feels as though Artemisia has become one...
Behind the Scenes of an International Art Fair
What happens when you hang a painting on a flat-screen TV? Notes from a volunteer at the Dallas Invitational Art Fair in Texas.
Hey, it’s me, The Curatorial Collector, your resident art history grad student, stepping straight out of the du...
How to Publish as an Undergraduate
My best tips for turning a class paper into a publication.
It can be very thrilling to understand that your undergraduate research could actually matter in the grand scheme of things. That you could contribute something valuable to your fi...
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| Subscribers | Engagement | 72 | Monthly Web Visits | ||
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Authors
The writers behind this newsletter.
Insights into the art world past and present: museums, the art market, and the stories behind the world's masterpieces. By Haydin Davis, incoming M.A. History of Art at the Institute of Fine Arts, New York University.
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