The Curator's Cut
GigiWeekly(ish) reviews and insights on art, fashion, and culture sent straight to your inbox.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 13 | Subscribers | Read | thecuratorscut.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
Where Memory Blurs: On Gerhard Richter at Fondation Louis Vuitton
Gerhard Richter is often quoted for his statement made in 1982 for the Documenta 7 catalogue (p. 443) that “art is the highest form of hope.” And let’s be honest, it was a bold statement to make, especially since the director of Documenta 7...
Between Influence and Icons: Dialogues with Helmut Newton
“What I find interesting is working in a society with certain taboos – and fashion photography is about that kind of society. To have taboos, then to get around them – that is interesting.” - Helmut Newton, American Photo, January/February ...
The Power and Powerlessness of the Image: Shepard Fairey's "Photo Synthesis" at Fotografiska Berlin
“We need to account for not just the power of images but their powerlessness, their importance, their abjection. We need, in other words, to grasp both sides of the paradox of the image: that it is alive—but also dead; powerful—but also wea...
Diane Arbus at Gropius Bau: The Reality We Overlook
“A photograph is a secret about a secret. The more it tells you the less you know.” - Diane Arbus
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If Carrie Bradshaw were an art historian I The Curator's Cut brought to you by @bou_gigi a nonchalant Art History type
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