Exploring what we value, why we value it, and who gets to decide—through art, objects, money, work, identity, and life. New essays weekly.
| Platform |  | Pricing | Freemium | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 32 | Founded | 7 months ago | Last Issue | 3 days ago |
| Active | |||||
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The Kusama Paradox: Scarcity Isn't Always What It Seems
Works by Yayoi Kusama on view. Photograph by Neon Wang via Unsplash.
When an artist dies, one of the first things people in the art market tend to ask is what will happen to the value of the work. Production has stopped. Supply is now fini...
Condition Is More Than What You See
For a couple of weeks, I didn’t know what my face was going to look like.
That sounds much more dramatic than the actual diagnosis. I had basal cell carcinoma, which, as cancer diagnoses go, is about as fortunate a diagnosis as you can rec...
The Damage Is Obvious. The Loss in Value Isn’t.
More than twenty years ago, when I was still relatively new to working as an independent appraiser, I attended an appraisers’ conference where a group of very experienced appraisers gave a presentation on condition and loss in value. I reme...
To Restore or To Conserve? There’s a Difference
Would you rather conserve and carefully clean the original carving shown above—or regild it entirely, restoring it to a pristine, like-new appearance?
Restoration and conservation are two words I hear used interchangeably all the time. I e...
Condition: It's More Complicated Than You Think
AI-generated conceptual illustration. Not based on or intended to depict an actual Henry Moore sculpture. A reminder that in collecting, making an object look “better” can sometimes make it worth less.
The sculpture looked wrong.
Not brok...
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Authors
The writers behind this newsletter.
Jennifer Garland Ross writes about value — how it’s determined, defended, distorted, and lived. A Certified Member of the AAA and founder of Art Peritus, she explores market judgment, expertise, and the human consequences of getting value wrong.
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