Exploring what we value, why we value it, and who gets to decide—through art, objects, money, work, identity, and life. New essays weekly.
| Platform |  | Pricing | Freemium | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 36 | Founded | 8 months ago | Last Issue | 13 days ago |
| Active | |||||
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jgarlandross.substack.comLatest Issues
The Currency I Wasn't Counting?
Paris began as somewhere I went when I needed a change. Now I'm trying to understand what it would mean to make it part of my everyday life.
We tend to think we know when we’re spending something.
Money is easy. There’s a number attached...
The Second Time It Broke, She Got Out the Glue
AI-generated interior illustrating the final chapter of a twice-damaged Line Vautrin-style mirror: professionally conserved once, then repaired by its owner after it broke again. The setting and mirror have been fictionalized to preserve cl...
When the Insurance Claim Ends, What Is It Worth to You?
AI-generated interior illustrating a conserved Line Vautrin-style mirror returned to a collector’s home. The setting and mirror have been fictionalized to preserve client confidentiality.
Last week, I wrote about a Line Vautrin mirror that...
When Is Damage a Total Loss?
AI-generated collage using a variety of Line Vautrin mirrors to illustrate the complex relationship between condition, conservation, and value explored in this article.
A few years ago, I was brought in to oversee a significant fine art in...
The Kusama Paradox: Scarcity Isn't Always What It Seems
Works by Yayoi Kusama on view. Photograph by Neon Wang via Unsplash.
When an artist dies, one of the first things people in the art market tend to ask is what will happen to the value of the work. Production has stopped. Supply is now fini...
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| Subscribers | Engagement | 71 | Monthly Web Visits | ||
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| Accepts Sponsors | Estimated Cost per Ad | ||||
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Authors
The writers behind this newsletter.
Jennifer Garland Ross writes about value — how it’s determined, defended, distorted, and lived. A Certified Member of the AAA and founder of Art Peritus, she explores market judgment, expertise, and the human consequences of getting value wrong.
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