
Dispatches from a freelance documentary photographer
| Platform | Pricing | Freemium | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 26 | Founded | a year ago | Last Issue | 5 days ago |
| Active | |||||

Using light as a narrative tool
When I was first starting out, I called myself a “natural light photographer.” It made me sound like a serious artist making a dignified choice, staunchly committed to the integrity of the image.
I am excited to share that I will be screening my short film Loyal American at the Japanese American National Museum on Saturday, June 6 from 2-3:30pm alongside my dear friend and collaborator Henry Kaku.
The film follows Henry, a descenda...
The story was published online on April 7, 2026, in The Guardian.
A behind-the-scenes look at a recent assignment for The Guardian, where I had the privilege of contributing to Madeleine Aggeler's story on Rachel Waters: a woman who gave h...
The images in this post were photographed by Yvonne Tnt/BFA.com and Jenna Bascom for ICP. Grateful to both for documenting the evening with such care and intention.
Me trying not to pull a muscle as I attempt to look normal at the Infinity...
Less direction, more observation
When I first started photographing, I avoided people entirely. I told myself I was a still life photographer, spending hours thinking about the placement of a fork in a styled flat lay or finding moody vign...
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The writers behind this newsletter.
I am a freelance photographer based in New York City. My work focuses on generational memory. My clients include National Geographic, The New York Times, TIME, The New Yorker and The Washington Post.
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