The Engines of Narrative
Elizabeth GaffneyWriting Prompts and Advice from Elizabeth Gaffney and The 24-Hour Room virtual writers space
| Platform |  | Pricing | Freemium | Publishes | Daily |
|---|---|---|---|---|---|
| Issues | 134 | Subscribers | Read | enginesofnarrative.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
Differentials
In her heyday.
Avoiding Overuse Injuries
After thinking about motifs for a little while, it’s possible to get carried away by them. So what amount of repetition and variation is going to work for your text, what’s too subtle, what’s heavy handed? Of course there’s going to be a wi...
Tempo Changes
The thirteenth, “Nausicaa,” section of Ulysses, builds to a literal climax as Leopold Bloom masturbates to the vision of Gerty MacDowell reclining on the beach. In the sticky aftermath, once Gerty limps off to join Cissy and Edy and her chi...
Sound Track
As Aomame stews impatiently in the back of a cab stuck in traffic at the beginning of Haruki Murakami’s 1Q84, Janáček’s “Sinfonietta” plays on the car radio. This piece of music becomes an important recurring theme throughout the book.
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Authors
The writers behind this newsletter.
Author of Metropolis, When the World Was Young, and many stories, translator of 4 books from German, founder of The 24-Hour Room, a free virtual writers space (the24hourroom.org), editor at large of A Public Space, teacher.
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