
On myth, story, and the sacred — by Christopher Wards
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 23 | Founded | a year ago | Last Issue | 4 months ago |
| Active | |||||

Thomas Moran — Chasm of the Colorado (1873–74)
You see a compelling carousel of Grand Canyon images on the internet. However deeply you intuit its grandeur—or imagine yourself standing at the ledge—it does not give you the feeling. The ima...
There is a way of reading fantasy that places its works along a stereotyped path: from the naïve to the mature, from the archetypal to the complex, from Tolkien down into fragmentation. A recurring narrative these days is to lament this. Ma...
Sir Galahad, the Quest for the Holy Grail — Arthur Hughes, 1870
One of the oldest patterns in myth is the passage through darkness before transformation.
The hero descends—sometimes literally into caves, underworlds, or labyrinths—b...
At some point in the story of modernity, we were told that freedom was a virtue in and of itself. We were formed to believe that mobility—the freedom to cross boundaries, continents, and even oceans in search of education, work, or simply g...
A death in the family settles differently when it is a dog.
There’s a strange quiet in its wake—an absence measured in presence and routine, a feeling of empty spaces and too much time. It is loss that belongs to its own category.
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The writers behind this newsletter.
Christopher Wards is an aspiring novelist exploring the mythic dimension of literature. Here he writes about story, memory, and the sacred in a distracted age.
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