The Fruit Salad Therapy Tapes
Joz NorrisA weekly creative newsletter. The Tapes function as an interactive notebook/sketchpad exploring comedy, art, creativity, making stuff, etc.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 119 | Founded | 3 years ago | Last Issue | 4 days ago |
| Active | |||||
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joznorris.substack.comLatest Issues
Tape 218: Finding The Central Metaphor
I decided that I wanted to write a newsletter about directing three comedy shows for this year’s Edinburgh Fringe, and what I learned from it, and what I’d like to do going forwards with that kind of work, but I wasn’t really sure how to ap...
Tape 217: An Edinburgh Fringe Debrief
Well I’ve completed another Edinburgh Fringe, this time from the enviable position of only needing to be there for ten days. So I thought I’d better do some sort of comprehensive debrief from it before we all drown in the deluge of even mor...
Tape 216: Ten Rules For A Happy Edinburgh Fringe
This was written in haste in a cafe on Monday afternoon before the Fringe kicks off. A snatched moment of productivity in the calm before the storm. But I do hope it might be useful for a few people bringing a show to the Fringe - their fir...
Tape 215: 8 Hours In A Berlin Emergency Clinic
Long-time readers of this newsletter might remember the story about the time I dropped my phone in a chemical toilet twice within one minute. That story remains an in-demand hit at social occasions to this day, I think because it makes me c...
101 Edinburgh Fringe Shows You MUST See
Tomorrow I’m flying to Berlin to spend five days in that fine city of lakes and abandoned airstrips to perform two shows for the Berlin Fringe. So what with today being a busy prep day, I thought I’d make writing this newsletter easy for my...
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Authors
The writers behind this newsletter.
I'm a writer, performer and comic. I make comedy-theatre shows, radio shows and films about daft nonsense, interior worlds, what goes on in people's heads, delusional monsters, etc.
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