
Art, literature, culture & Houston
| Platform | Pricing | Freemium | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 500 | Founded | 5 years ago | Last Issue | 3 days ago |
| Active | |||||

I started down the Jeffrey Epstein rabbit hole when I was asked to contribute to The Houston Associated Experimental Press. I was at the Museum of Fine Arts in the Beck Building which has a huge wall of the donors who helped pay for it—many...
Billy Hassell, Book of Hours. oil on canvas, 1989-90
When I first became acquainted with Foltz Fine Art, their gallery was in a converted garage behind a house in Montrose. At the time it was owned by William Reaves. Sarah Foltz came in as...
Part of a Continuing Series on Epstein's Baleful Influence on Art Institutions
Between 1987 and his arrest in 2019, Jeffrey Epstein was one of the principal sugar daddies for the New York Academy of Art. According the Miami Herald, Epstein...
I first started to follow Doonesbury, the long running comic strip by Garry Trudeau, in the mid-1970s. As a boy, my knowledge of contemporary American politics was very limited. I had heard of Watergate, but didn’t know any of the important...
It is a tradition among art galleries in Houston to have one of two types of exhibit during the summer. The first is a group exhibit consisting of artists who the gallery is known for showing—usually unsold work from previous exhibits. I ca...
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The writers behind this newsletter.
Robert Boyd was born in Melbourne, Australia, and grew up in Houston, Texas. He went to Rice University. In 2009, he founded the art blog, The Great God Pan Is Dead.
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