
Art, literature, culture & Houston
| Platform | Pricing | Freemium | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 520 | Founded | 5 years ago | Last Issue | 3 days ago |
| Active | |||||

Thomas McEvilley’s last book
Readers of this blog may know that I was a student and devoted reader of art critic Thomas McEvilley (1939-2013). I thought I had read all of his books about art and philosophy (including his thorny The Shape o...
An art fair is little more than a very expensive craft fair. Art fairs exist to sell artworks. And like a craft fair, it’s here for a few days and then it’s gone. They usually don’t leave a permanent mark. It therefore feels a little pointl...
Anila Quayyam Agha, Rain Forest (Teal), lacquered steel, 2025
Anila Quayyam Agha’s installation Rain Forest (Teal) is in a room especially constructed for it by Sundaram Tagore Gallery. The steel box is carved with images of stylized tropi...
This crusted over saxophone is Dkonkr Root Extract by Jamal Cyrus, currently on view at the Art League Houston. I vividly remember Cyrus deep frying a saxophone for a ritualistic performance art piece 14 years ago. Keep your saxophones away...
César Martínez, Reinvented Icon for this Time and Place (San Antonio), mixed media on masonite, 1991
In 1977, the Contemporary Arts Museum hosted a pioneering exhibit of Chicano art called Dále Gas. (Interestingly, there is a nightclub on...
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The writers behind this newsletter.
Robert Boyd was born in Melbourne, Australia, and grew up in Houston, Texas. He went to Rice University. In 2009, he founded the art blog, The Great God Pan Is Dead.
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