Christopher Rixman
Independent journalist Covering civil liberties, media power, and U.S. foreign policy. Founder: Honey Badger Journal
| Platform |  | Pricing | Freemium | Publishes | Daily |
|---|---|---|---|---|---|
| Issues | 151 | Founded | a year ago | Last Issue | 4 days ago |
| Active | |||||
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thehoneybadgerjournal.substack.comLatest Issues
The Unbearable Consistency of Bret Stephens
OPINION
The most dangerous idea in modern American foreign policy may be the belief that escalation never truly fails, it merely was not sustained long enough. That logic has now survived Iraq, Afghanistan, Libya, Syria, and incr...
The Domination Psychology Trap
Cultural-Political Analysis
Over the last several months, people spent hours warning that escalation with Iran risked regional war, attacks on shipping lanes, energy shocks through Hormuz, mass civilian casualties across Lebanon, an...
The Classified Peace: Why We’re Forbidden from Reading the Iran Deal
FOREIGN POLICY ANALYSIS
The Classified Peace
President Trump is publicly declaring that the reported Iran memorandum is essentially “all signed” while simultaneously saying the text still has not been fully released and will...
The “Sunset” Theater
Policy Analysis
Congress spent months warning Americans that national security itself might collapse if Section 702 expired. Intelligence officials, former FBI directors, think tank analysts, and cable news panels all repeated the s...
The Absorption of "Sunday Bloody Sunday"
Cultural Critique
There is something deeply haunting about revisiting “Hawkmoon 269” today. The U2 song, inspired in part by Sam Shepard’s Hawk Moon, was never simply a conventional rock anthem. Both Shepard’s writing and U2’s in...
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| Subscribers | Engagement | 71 | Monthly Web Visits | ||
|---|---|---|---|---|---|
| Accepts Sponsors | Estimated Cost per Ad | ||||
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Authors
The writers behind this newsletter.
Independent newsletter covering civil liberties, media power, anti-imperial politics, and government overreach. Deconstructing manufactured myths and official narratives.
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