Reletter
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The Insert

Eric Zhu

A newsletter about arthouse film, experimental film, and notable Seattle theatrical releases

Platform
Substack
PricingOnly free issuesPublishesTwice weekly
Issues280Founded4 years agoLast Issue7 days ago
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Latest Issues

Best of 2026 (So Far)

If you haven’t heard, we’re somehow halfway through 2026 and my legions of fans (an SFCS poll) are asking for my favorite films from the first half the year. As for an overall assessment, I think it’s been a pretty good year for movies, and...

7 days ago
11
2

Disclosure Day (Steven Spielberg, 2026)

Image courtesy of Universal

Early in Steven Spielberg’s alien action thriller Disclosure Day, Kansas City Weatherwoman Margaret Fairchild (Emily Blunt), shaken after an encounter with a supernatural CGI bird, speeds to work to Gwen Stefani...

21 days ago
5

2026 Capsules: Obsession, Pálmason's Joan of Arc, and more

I desperately needed some time off after SIFF, but I’m getting back into writing again. Working on a couple pieces right now - a review of La Libertad, fest reviews of La Libertad Doble and Red Rocks, and a mid-year reflection/recommendatio...

a month ago
12
1

Cannes: La Perra, 9 Temples to Heaven

La Perra (Dominga Sotomayor)

A brittle character study cum landscape film disguised as a drama about a woman and her dog, Dominga Sotomayor’s La Perra is both perfectly judged and ravishingly beautiful. Set on a remote island in the South...

a month ago
2

SIFF: Assets and Liabilities, Barbara Forever

Assets and Liabilities (Zach Weintraub):

Assets and Liabilities (Zach Weintraub)

In a better world, we’d have many more independent films like Zach Weintraub’s Assets & Liabilities. This is a film with formal flourishes but isn’t over-dir...

2 months ago
3

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  • Eric Zhu

    I like movies! Member of Seattle Film Critics Society and Cascadia Film and TV Critics Association.

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