The Insert
Eric ZhuA newsletter about arthouse film, experimental film, and notable Seattle theatrical releases
| Platform |  | Pricing | Only free issues | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 283 | Founded | 4 years ago | Last Issue | 4 days ago |
| Active | |||||
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theinsert.substack.comLatest Issues
Music, Fashion, Film
The promo-cycle for Charli’s “brat” follow-up has been dominated by taste-based “anti-marketing”. A “leaked” letterboxd account, Substack essays on Celine and Julie Go Boating, the declaration of “David Cronenberg Summer”, all prefaced a la...
The Odyssey (Christopher Nolan, 2026)
The Odyssey (Christopher Nolan, 2026)
If nothing else, The Odyssey is notable for being Christopher Nolan’s biggest movie yet. For a pop-auteur whose brand has increasingly become his sweeping puzzle-box plotlines, expansive A-List casts,...
Blue Film (Elliot Tuttle, 2026)
Though Elliot Tuttle is just 23 years old, his debut feature Blue Film feels like a gay film from a bygone era. This despairing chamber piece has the tortured heart of say, an early Tsai Ming-Liang film. It’s this anachronism that has found...
Best of 2026 (So Far)
If you haven’t heard, we’re somehow halfway through 2026 and my legions of fans (an SFCS poll) are asking for my favorite films from the first half the year. As for an overall assessment, I think it’s been a pretty good year for movies, and...
Disclosure Day (Steven Spielberg, 2026)
Image courtesy of Universal
Early in Steven Spielberg’s alien action thriller Disclosure Day, Kansas City Weatherwoman Margaret Fairchild (Emily Blunt), shaken after an encounter with a supernatural CGI bird, speeds to work to Gwen Stefani...
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The writers behind this newsletter.
I like movies! Member of Seattle Film Critics Society and Cascadia Film and TV Critics Association.
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