the intimate critic
Corrie Tanan occasional newsletter from Singapore about performance, intimacy, care and criticism
| Platform |  | Pricing | Only free issues | Publishes | Infrequently |
|---|---|---|---|---|---|
| Issues | 22 | Founded | 6 years ago | Last Issue | a year ago |
| Active | |||||
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intimatecritic.substack.comLatest Issues
“Kritik sebagai siasat”: ArtsEquator’s Fellows go to #TaiwanWeek
Prelude
The view of Taipei City from Xiangshan Trail, courtesy of a little urban hike I did on my final day here.
This diary of short meditations on #TaiwanWeek (April 16-20) marks the conclusion of my 2024 Fellowship with ArtsEquator. As...
“Anora”: a three-carat love
Anora. Images: NEON.
By Corrie Tan and Sudhir Vadaketh
We were on the verge of writing off “Anora” when love entered the fray.
The titular character, a 23-year-old stripper who goes by “Ani”, and Vanya, her 21-year-old boyfriend-benefact...
“Puppet Origin Stories @ One-Two-Six: Temporary Occupation” by The Finger Players
Yazid Jalil, performer-puppeteer, and the perpetually awed Paul, rod puppet, in Jing Ng’s “Signal Flow”. All images by Poh Yu Khing and courtesy of The Finger Players.
I’ve always wondered about how and why we commemorate and celebrate mil...
“Air” by Drama Box
I’ve just come back to Singapore from a long trip across the UK, where I spent several days crewing aboard a gorgeous old boat called the Marian. She’s a 135-year-old Bristol Channel pilot cutter, one of eighteen left in the world. I’m rela...
“Tender Submission” by Checkpoint Theatre
Cat (Neo Swee Lin, left) and David (Lim Kay Siu) in the “cry room” of their church. Photography by Joseph Nair, courtesy of Checkpoint Theatre
I. “Be thou my vision, O Lord of my heart”
“I have a question,” my theatregoing companion a...
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Authors
The writers behind this newsletter.
I'm a writer and practitioner-researcher from Singapore.
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