
Dispatches, links and commentary from the editors of The Point.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 98 | Founded | 2 years ago | Last Issue | 8 days ago |
| Active | |||||

This article originally appeared in the Chronicle Review.
The university administrators have gotten tired of paying lip service to Luddites. AI is not going anywhere, they tell us, and it’s time to start making the most of it. In a...
This is the third installment of “Just Like Us,” a monthly Substack-only column on celebrity and online culture, by Grazie Sophia Christie. Read the second, on Taylor Swift’s “royal wedding,” here.
Toward the end of Woody Allen’s 20...
Yesterday we published the first in a series of responses from art critics, historians and theorists to Sean Tatol’s issue 37 essay “After the Post-Avant-Garde.” What, asked in his reflection, does Tatol mean by notoriously flighty concept...
Sean Tatol of ’s essay for our latest issue, “After the Post-Avant-Garde,” asks: What happened to coolness in art? His answer, in tracing a trajectory from the avant-garde to the late avant-garde to the post-avant-garde through artists like...
Our latest issue’s literature section starts with a story I didn’t quite know I was waiting for until I read it: a work of fiction that tackles the near-ubiquitous questions AI raises about language and selfhood with inquisitiveness, tender...
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The writers behind this newsletter.
Founding editor of The Point
associate editor at The Point
The Public Culture Project, housed in Harvard’s Division of Arts & Humanities, aims to revivify our shared public life by placing existential, moral and even spiritual questions at the center of our public conversations. Directed by @ianmarcuscorbin
Associate Professor of English at Rutgers, novelist, translator. Author of Anxieties of Experience: The Literatures of the Americas from Whitman to Bolaño (Oxford) and the Spanish-language novel El americano. Represented by Agencia Silvia Bastos.
Art criticism
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