Rialto 5:15
Film criticism from the undercurrent: misread performances, psychoanalytic frames, cultural memory
| Platform |  | Pricing | Only free issues | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 72 | Founded | a year ago | Last Issue | 3 days ago |
| Active | |||||
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ryanvincentjames.substack.comLatest Issues
Compressing the Complexity of Life: Sunday’s Children at Cannes
At just eighteen minutes, Reuben Hamlyn’s Sunday’s Children somehow feels impossibly expansive. Premiering in the La Cinef selection at the 2026 Cannes Film Festival, the film carries the emotional density of a fractured romance, a philosop...
The Last Cinema in Cairo: Zawya and the Uncertain Future of Film Culture
On a quiet evening in Downtown Cairo, the lights dim inside a modest screening room on Emad El-Deen Street. The film about to begin will not trend on Egyptian social media, nor will its actors appear on billboards across the city. It is sub...
Ooh La La!: What French Trains Can Teach Us About Watching Films Properly
There is a contradiction at the heart of contemporary cinema. Audiences have never before been offered more comfort, more spectacle, or more choice. Reclining seats, premium formats, private lounges, curated programming. The industry...
A Short History Lesson for Pete Hegseth
It feels faintly reductive to respond to a claim so historically thin, but when it is repeated with enough confidence, it begins to pass for truth. The suggestion that Europe should be grateful to the United States is one such claim. It is...
Boots Riley’s Bold Satire: Unpacking Luxury Fashion’s Illusions in I Love Boosters
Premiering at the South by Southwest Film & TV Festival, Boots Riley’s latest film uses the language of the heist comedy to interrogate the strange economics of luxury fashion. Beneath its anarchic humour is a deeper question. How do brands...
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Film writer and cultural analyst. Long-form essays on cinema, power, psychology, and modern institutions. [email protected]
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