
Essays on cultural infrastructure, leadership, institutional change, and what no one says out loud.
| Platform | Pricing | Only free issues | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 53 | Founded | 7 months ago | Last Issue | 15 days ago |
| Active | |||||

There’s a bar in Moynihan Train Hall at Penn Station called The Irish Exit.
I pass by it most weeks. New Haven, Providence, Boston, the Acela pulls me up and down the same Northeast Corridor and the sign is always there. It is also the nam...
I delivered this commencement address to the graduates of Northwestern University’s Bienen School of Music on June 13.
The audience included undergraduate, master’s, and doctoral students preparing to enter very different chapters of musi...
Megan Fairchild took her last bow at New York City Ballet in late May, dancing Swanilda in Coppélia to a full house after twenty-five years with the company. She’s moving to Bordeaux with her family, part-time work for the Balanchine Trust...
A few weeks ago I asked two artists I respect to join a panel. I didn’t ask the organizers whether they were offering an honorarium or covering travel. By the time I figured out the answer was no, the artists had already said yes. Without m...
At the Making Their Mark Forum in Washington this spring, Brooklyn Museum director Anne Pasternak said something that should have landed harder than it did. She told the room that if you looked at the cultural sector leaders who’ve lost the...
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The writers behind this newsletter.
\ud83c\uddf0\ud83c\uddf7\ud83c\uddfa\ud83c\uddf8 Writes "The Reprise," essays on cultural infrastructure, leadership, and things no one else says out loud. Cultural strategist and advisor to artists, arts leaders, organizations, foundations, and higher education.
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