The Reprise
Emil J KangEssays on cultural infrastructure, leadership, institutional change, and what no one says out loud.
| Platform |  | Pricing | Only free issues | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 51 | Founded | 7 months ago | Last Issue | 10 days ago |
| Active | |||||
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emilkang.substack.comLatest Issues
When the Dancing Stops
Megan Fairchild took her last bow at New York City Ballet in late May, dancing Swanilda in Coppélia to a full house after twenty-five years with the company. She’s moving to Bordeaux with her family, part-time work for the Balanchine Trust...
The Artist is not the Lender
A few weeks ago I asked two artists I respect to join a panel. I didn’t ask the organizers whether they were offering an honorarium or covering travel. By the time I figured out the answer was no, the artists had already said yes. Without m...
Men Retire. Women Get Fired.
At the Making Their Mark Forum in Washington this spring, Brooklyn Museum director Anne Pasternak said something that should have landed harder than it did. She told the room that if you looked at the cultural sector leaders who’ve lost the...
What Opera Owes, and to Whom
Last month a deal collapsed between The Metropolitan Opera and Saudi Arabia. They had been discussing an arrangement that would have generated $200 million for the Met. Last week, in a New York Times op-ed, John Berry, former head of the En...
Before the Job Becomes the Career
Dear Friends,
Since I wrote the open letter to early-career arts leaders late last year, my inbox has changed. The early messages were about whether to keep going at all.
The Reprise is a reader-supported publication. To receive new posts...
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\ud83c\uddf0\ud83c\uddf7\ud83c\uddfa\ud83c\uddf8 Writes "The Reprise," essays on cultural infrastructure, leadership, and things no one else says out loud. Cultural strategist and advisor to artists, arts leaders, organizations, foundations, and higher education.
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