The Self-Reproaching Critic
Edin ČustoThe Self-Reproaching Critic features critical writing on film, television, and culture, exploring the images and ideas that define contemporary life.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 12 | Founded | 9 months ago | Last Issue | 13 days ago |
| Active | |||||
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src.baLatest Issues
Fatherland (2026) | Review
Fatherland (2026) – Festival de Cannes
Paweł Pawlikowski’s Fatherland opens in 1949 with a return that turns homecoming into trespassing. Thomas Mann (Hanns Zischler) – Nobel laureate, perhaps the most internationally renowned German write...
Gentle Monster (2026) | Review
Gentle Monster – Festival de Cannes
All modern families fester in their own modern ways. In Gentle Monster, Austrian director Marie Kreutzer returns to the Croisette with a drama built around the grim discomfort of watching the unthinkable...
Teenage Sex and Death at Camp Miasma (2026) | Review
Teenage Sex and Death at Camp Miasma – Mubi
Jane Schoenbrun caps their media trilogy, which began with the online challenge unease of We’re All Going to the World’s Fair, moved to television screens in I Saw the TV Glow, and now culminates...
The Drama (2026) | Review
The Drama – A24
Editor’s note: This review originally referred to the setting as New York, while The Drama is in fact set in Boston. The correction does not alter the central argument of the piece, which concerns the feature’s portrayal of...
Project Hail Mary (2026) | Review
Project Hail Mary – Amazon MGM Studios
Recent film history has hardly been starved of ambitious science fiction concerned with space, alien encounter, and the limits of human knowledge. From Prometheus and Interstellar to Arrival, the genr...
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Authors
The writers behind this newsletter.
Just a soul proficient in dreaming. Chemist by training, poet and critic by calling. Based in Mostar, Bosnia & Herzegovina, I write about film, culture, and life from my own unconventional path.
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