
Hippocratic assertions from an antihero of film criticism
| Platform | Pricing | Only free issues | Publishes | Daily | |
|---|---|---|---|---|---|
| Issues | 191 | Founded | 3 years ago | Last Issue | 8 days ago |
| Active | |||||

The aptly-named scarecrow exists to scare crows. In this way, it exists to create fear, and to guard against the foremost avian portender of doom.1
I can therefore think of no better mascot for the Southern Gothic, in all its curtain-pulli...
The other day I got the chance to watch Mark Schwab’s dark dramedy Cutaways, starring Silas Kade as Evan Quick, a queer filmmaker and former Sundance darling whose career was jettisoned by a vicious rumour. He’s now living in a loft, shooti...
The other day I got the chance to watch Jared Sprouse’s crime comedy film Party USA, starring Ainsley Seiger as Taylor, a 20-something nursing school-hopeful who for now is acting as her small town family’s sole earner — as an assistant man...
Reviews for three indie horror joints, just in time for All Hallow’s Eve:
Demon Dancer: Sua/Nara
Echoes from the Void
Slice
Word on the Street:
Primers and Essays
Ho...
The other day I watched Chet Turner’s horror anthology film Slice, a trio of interconnected shorts in which men quite graphically give up their manhood in exchange for things like drugs, money, and a place to belong. A wraparound narrative...
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The writers behind this newsletter.
Tomatometer-approved film critic, script consultant, former cynic, kombucha enthusiast, naturalized citizen of the no flex zone, and the real Forrest Gump, probably.
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