Some Words about Italian Swordplay
David BiggsA newsletter about renaissance Italian swordplay
| Platform |  | Pricing | Freemium | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 18 | Subscribers | Read | davidbiggs.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
Northern Italian Postures, Part 6: The postures of the Vienna Anonymous manuscript
OK, the discussion on postures that I expected to be a 4-part series is now moving on to part 6. Today we’re going to take a look at what the Vienna Anonymous (VA) author has to say about postures. This is especially relevant for my discuss...
Gaining the opponent’s blade - part 3
In part 1 of Gaining the opponent’s blade, I talked about what the gain is and started describing how to do it. In part 2, I continued with some advice on how to accomplish a good gain by looking at what it means to be “in presence,” I intr...
Northern Italian Postures, Part 5: The postures of Nicoletto Giganti - continued
Today we’ll wrap up our discussion of Giganti’s advice on the primary postures for swordplay from his Scola, Overo Teatro (1606). For part 6 of this multi-part series looking at the northern Italian rapier postures, we will move on to the p...
Gaining the opponent’s blade - part 2
In part 1 of Gaining the opponent’s blade, I talked about what the gain is and started describing how to do it. Here in part 2, I’ll continue with some advice on how to accomplish the gain by looking at what it means to be “in presence,” I’...
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Authors
The writers behind this newsletter.
U.S. diplomat with way too many hobbies. Historical fencing instructor whose day job is with the State Department. Amateur luthier and woodworker. A drummer and writer (long before those other things).
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