
花枝有長短,春色無高下。 自在與自由,從接納不完美開始。 這份刊物,分享我真實、不完美但漸漸完整的生命。 帶著滋養你我的願望,我的寫作將保持清晰、直接。 一起探索 a more human life。
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 14 | Founded | a year ago | Last Issue | 8 days ago |
| Active | Language | ||||

早晨,做完 30 分鐘身體掃描,今天是本週的第四次了。
前幾次,有時感覺無聊,內在升起焦躁,或因疲倦而睡著。儘管一人躺在房間瑜珈墊上,醒來時,也會感到不好意思,卻沒有能道歉的對象。
讀牛津正念的閱讀,做身體掃描時,沒所謂「成功失敗」,只是運用身體,覺察此時意識是否還停留在身上,還是已遊蕩到其他念頭計畫裡去了?
遊蕩出去也完全沒問題,只要意識到念頭此時在哪,像找回一隻好奇跑遠的毛絨小狗那樣,輕輕引領覺知回到身體此刻。
有些日子,漂移的次數多,練習回返的機會,也跟著增加。...
真正有寫作的需要,是來自感覺格格不入的孤獨。
我從小認生,自我意識來得早,或許也有一些過剩。
跟大家一起玩,對我來說不是自然的事,為了不要總被幼兒園老師關心,下課我還是會走出去,觀察其他人在玩什麼、拆解他們如何建立連結——玩單槓,雙手抓槓,雙腳倒踩,空中轉一圈,大家拍手,或幫忙轉不過去的人推一把屁股。
我觀察、學習,加入。不過沒有人的時候,我並不想這樣玩。
進了小學,女孩們流行《美少女戰士》,卡通播放的時間,我正好在上才藝課,總是錯過,插不上話,也假裝不來。發現交換貼...
看完諾蘭的《奧德賽》,我想了很久。
如果只能從電影裡帶走一件事,那會是:認知自己不是好人,才可能真正看見自己做的每一件事。
這幾年,我反覆練習放下「自己是好人」這個身份認同,才漸漸體會這件事。
非二元觀點始終提醒我:
不要用好人與壞人切割世界,也不要急著把自己安置在正確、善良與正義的一方。
其實,成年後所受的教育,從法學、性別、到佛學,隨處可見這樣的提醒。但我仍然會在憤怒時,行差踏錯,走火入魔——相信自己是出於愛、出於善意、出於正義、想拯救別人,便不可能傷害。
《...
維也納的老咖啡館,時常座落街角。大門往往設置在建築九十度角處。在門口張望,能把蛋糕似的建築立面,一口全攏進自己視線。
那也是一張老咖啡館的臉,承諾著:日子縱使駭浪驚濤,我也能熨平你心肩每一處皺摺,使時光溫順成夏日多瑙河,汨汨而安適、優雅地涓流。
推開門,玻璃鏡面短廊折射著光與人影,像萬花筒那樣,將感官包圍。廊道盡頭,櫃檯厚實,像有人在耳邊壓了滿手低音鍵。抬頭,滑音溜過,是侍者昂首穿梭的身影。忙完他帶你入座。或通常,他會蠻不在乎地說:坐哪都可以,任君挑選。
就算獨身造訪,...
五月底的維也納,氣溫開始升高,來到 30 度。
吃了特大號土耳其沙威瑪,帶著飽脹的肚腹,碳暈的腦袋,頂著艷陽、搖搖擺擺,來到喜歡的 Jonas Reindl 咖啡館寫作。
店裡少見地滿座,選了僅剩的小桌坐下。座位上,告示牌友善寫著:「使用筆電的朋友,限時 90 分鐘,我們希望讓其他朋友也能體驗這個空間。」
90 分鐘很短,或許是不希望影響翻桌,再加點飲品,應可待下來,那也是維也納許多咖啡廳的潛規則。
我準備寫稿,店裡多數人也帶筆電工作。筆電客包圍後,我忽然理解咖啡廳為...
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The writers behind this newsletter.
我是婉 Wan,寫作、正念引導、連續創業者。在媒體/新創/性別/文化領域十多年,轉身致力「活得像個人」——接納當下,喜握生活主權,安住變幻無常的人生。A More Human Life 電子報,帶著滋養你我的願望,一起活得像人,不完美但完整✨
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