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Tim Page Writer

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I'd like to remain anonymous. But you are saying things that need to be said.

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Issues61Founded8 months agoLast Issue6 days ago
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Latest Issues

‘The Crowd’: A Spare and Silent Realism

‘The Crowd’: A Spare and Silent Realism

King Vidor’s 1928 classic, a tenderly acted study of a couple struggling to get by in New York, is perhaps the most powerful American silent drama

By

This Substack is reader-supported. To rece...

6 days ago
5
7

A Bad Dream

Bizarre dream that I had somehow agreed to play piano in a performance of Arnold Schoenberg’s Serenade at an outdoor concert in his native Vienna. Huge honor but utterly impossible for me, especially now. Did everything to get out of it --...

15 days ago
25
8

ENRICO CARUSO

By Tim Page

The Washiongton Post

October 24, 2001

Back in the terrifying days after the 9/11 attacks, I wrote an article about Enrico Caruso while waiting for audiences to come back. It’s the biggest piece I ever wrote about Caruso...

15 days ago
7
2

VOLKOV’S SHOSTAKOVICH

His Master’s Voice

The ongoing debate over a musical genius and his controversial role in Soviet history

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.

June 12, 2...

15 days ago
12
5

Giving Arthur Rubinstein His Due

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.

After about 15 years I have once again reclaimed my complete set of the Rubinstein Collection that BMG issued at the...

16 days ago
24
11

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  • Tim Page Writer

    Pulitzer Prize for Criticism (1997). Professor Emeritus at USC. Radio host on WNYC. Estate of Dawn Powell. Author of "Parallel Play." Editor of "The Glenn Gould Reader." Co-founder and Executive Producer, Catalyst Records (BMG). Welcome.

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