REEL LIVES
Tim KirkmanMusings about movies and the people who love them.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 39 | Founded | 2 years ago | Last Issue | 8 days ago |
| Active | |||||
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timkirkman.substack.comLatest Issues
How Not To Get Away With Murder
In the spring of 1990, I was walking along Glenwood Avenue in Raleigh, North Carolina, when I passed the Rialto Theater, the go-to spot for the latest art house releases. I was in college, studying graphic design, so my eyes were naturally...
Brothers and Sisters
I recently became acquainted with a cinema term I had not heard before — the title drop. It’s that moment in a movie when a character speaks aloud the title of the film. Of course I’m familiar with the practice, but I had no idea there was...
Give My Daughter the Shot
There is something magical about 1983. Many films from my formative, coming-of-age years trigger deep nostalgia, but nothing compares to the lineup of ’83: Risky Business, Trading Places, Valley Girl, Flashdance, Return of the Jedi, Mr. Mom...
'Sup, Bro
If you look at the long list of my all-time favorite movies, you'll notice a recurring theme: the complex, emotionally heavy burden and beauty of brotherhood. I’ve always been drawn to films that map this unique territory between brothers,...
The Highest Form of Flattery
Local Hero (1983), written & directed by Bill Forsyth, with Peter Reigert (left) and Peter Capaldi, shot on location in Scotland.
During college, I majored in graphic design at North Carolina State University and worked in the Design Schoo...
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Authors
The writers behind this newsletter.
Emmy, Spirit, Gotham and GLAAD Nominee; Sundance, Tribeca, Frameline, OutFest, Hamptons, SxSW alum + more; Host of the forthcoming Reel Lives Podcast
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